Air Dior is done and sold. Kim Jones doesn’t need to milk that success. His collaboration with Nike shows it
By Ray Zhang
Kim Jones can’t do any wrong. From his bringing together Louis Vuitton and Supreme to Dior and Nike, everything he touched had turned to gold. What’s next, I wonder—Fendi and whoever, whatever? But before there’s that, Mr Jones has put his own name to sit alongside Nike’s in a collaboration that many had thought might be as exciting as the shoe for Dior, probably the most hyped sneaker in the history of luxury-brand collabs. Nike X Kim Jones is the coming together of two big names in an iteration of streetwear that overplays hoopla, not design. If the publicity material and the merchandise are not identified by Mr Jones’s name (or in the case of the logo used on the clothing, the initials KJ), these could be any merchandise in Nike’s regular drops. Or something you might consider at ASOS… when they are offering a store-wide 20% discount.
Perhaps I have overlooked something here. Were these put out for kids who missed out on the Dior collab, or those who could not afford the (from) S$3,100 a pair shoes? And those who are happy to just wear anything as long as they are associated with a trending name? Frankly no one needs to pay S$149 for “classic nylon bottoms”, as Nike describes a pair of very standard-issue track pants. Or, $69 for a “short-sleeve (sic) tee” that is accompanied with a curious description: “Neon hues are combined with a reflective design Nike Air graphic to give this top an essential feel”. Or (I cringe mentioning this), the socks (S$29), with the Nike Air logo on one side and KJ on the other. Seriously? Even the sole shoe, an Air Max 95 (S$299), with orange highlights and, on the upper, “Morse code-like pattern” (I, and so many of us here at SOTD, prefer the sound), is probably one of the most uninspired interpretations ever.
…one is well thought-out and thought-through for both design and performance, while the other is basically commercial fluff
Mr Jones has had quite a track record in making athletic clothes somewhat cool and mind-bogglingly desirable. Since his work for the UK brand Umbro back in 2008, with its references to British football culture, he has been known to have an eye to sift out sportif and cultural reference to bring something to whoever. But they have never been, to me, as crave-arousing as, say, those by A-Cold-Wall*. I won’t even bring up Gyakusou, Nike’s successful, eleven-year-old pairing with Jun Takahashi, for comparison, since one is well thought-out and thought-through for both design and performance, while the other is basically commercial fluff.
In many ways, Mr Jones’s output reminds me of the equally lacklustre Nike collaboration with Riccardo Tisci in 2017, which also featured the initials of the designer. Given that there is increasingly more design-driven pairings between sportswear and designer labels, I would have thought that Mr Jones might have tried a tad harder. Sure, I did not expect him to do a Sacai, but neither did I regard such bland take to happen. Even the placement of the Nike Air logo on the apparel suggests to me a what-the-heck, just-plonk-it-here approach. If Nike’s pairing with Kim Jones can’t yield even a fraction of the design savvy in the former’s own truly appealing and often fascinating Nikelab or the ACG (All Conditions Gear) line, they should really not bother. Nike—and all of us—deserves better.