Can the little red dot stand shoulder to shoulder with the little black dress? A native islander and friends look at fashion (and such) in Singapore, and, occasionally, among her neighbours, and a little further afield
You know times have changed when new dad A$AP Rocky goes out wearing something that isn’t a pair of pants
Three days ago, A$AP Rocky took a break from fatherhood duties and stepped out in New York in an A-line, knee-grazing, leather Givenchy skirt. American Vogue said that he “went full cybergoth”. Its British counterpart was certain that he “sets the bar for modern menswear”. W magazine thought he “looked effortlessly cool”. GQ’s approving headline read, “Only for A$AP Rocky Is August Leather Kilt Season”, carefully avoiding the S-word. It was, overall, a strong show of support, if you ignore one unkind headline that went, “Shocker: A$AP Rocky Spotted Out… Wearing Rihanna’s Leather Skirt”.
He is, of course, not a “man in a skirt”; he is A$AP Rocky in a skirt. Just like it was Brad Pitt in a skirt days earlier (linen, by Haans Nicholas Mott) and Kanye West in a skirt even way before (2011, during a concert, when he was costumed by Givenchy, then designed by Riccardo Tisci). More mortal males would not be able to rock a similar skirt, even if it is based on a simple shape, so uncomplicated that they’re often the basic skirt taught in pattern-making and sewing classes. Guys without the same standing, social and fashion-wise, as the rapper, would not be blessed with such encouraging headlines. That A$AP Rocky chose a more ‘solid’ silhouette in a hulky fabric such as leather is to leave the viewer in no doubt of his cis gender and his procreative heterosexuality.
This was not A$AP Rocky’s first time wearing a skirt, but it was the first time he wore one as a father. Before his very public romance with Rihanna, he was seen in Rick Owens and Vivienne Westwood “kilts”—entry level skirts that could help the wearer graduate to more serious stuff. That he and his fellow artistes in skirts no longer receive derogatory comments could be due to the garment’s popularity among, in particular, Black rappers, such as P Diddy, Omar Epps, R Kelly, Snoop Dog, Collio, just to name a few. Still, only a very small group of them gets accolades for wearing skirts. To quote, Quentin Tarantino, who said of Brad Pitt in this month’s issue of GQ, “It’s just a different breed of man”.
Another streetwear brand banking on a family name. This is, however, not by that Wang
Team Wang Pop-Up store at The Shopping Gallery, Voco
It is probably the buzziest store opening since the start of the pandemic. Team Wang Design, a rising star in the firmament of “luxury street wear” opened yesterday evening to intensely enthusiastic response. If you are unfamiliar with the newish label, it is understandable that you’d think that Team Wang is linked to the designer Alexander Wang. But it is not. The label is, in fact, the brainchild of popstar Jackson Wang (王嘉尔). He has, as fans are well aware, added fashion designer to his resume. But if Team Wang sounds familiar, it is because Alexander Wang (王大仁) had used it too, and the phrase was employed for his collaboration with H&M in 2014. But Alexander Wang’s “team” of musicians, muses, and models who were associated with him were often referred to by the press as his “squad”. Team Wang is thus dissimilar as it is not about a clique (or, worse, hangers-on). Rather, it was initially set up to manage Mr Wang’s growing commitments in China and then to include a record label and now fashion design too. And Mr Wang seems to acknowledge that the brand’s creative output is a collective one.
And the clothes have found their way here through the auspices of Club 21 who has set up the eponymous pop-up—dubbed Mudance—not only on our shores, but in Chengdu and Bangkok, concurrently. As early or late (it really depends) as eleven yesterday morning, The Shopping Gallery at the former Hilton Hotel, now Voco Orchard, was busy, not with shoppers, but with construction crew setting up the opening of Team Wang Design (the shop was still merchandise-free) and, unsurprisingly, numerous female fans reserving a spot to catch their idol (this was an invitation-only event). Two hours before the party was due to start, there was a dispiriting crowd, restrained by mills barriers just to the left of the main door to the lobby of the hotel. The side entrance to The Shopping Gallery was shut too. The girls were visibly excited, presumably expecting the star they had been waiting for to arrive by car and alight at that very spot. This was happening as it rained. If the reception the fans gave Mr Wang at Changi airport yesterday was any indication, this really was not surprising.
Outside Voco Hotel, fervid fans waiting patiently despite the rain
But unexpected was the wait that invited guests had to endure. The invitation to the event stated 6.30pm—presumably the time it would the start. Jackson Wang had arrived some fifteen minutes earlier to a screaming welcome. He was escorted to a room in the hotel, where he went to “freshen up”, as the chatter at the lobby of the hotel went. Guests were held around the escalator to the second floor, where the proceedings would unfold. An hour had past, but most of the attendees were still waiting in the increasingly unbearable heat. Nathan Hartono in a salmon-coloured, sweat-soaked tee, would later share on Instagram a snap of him and Mr Wang, with the comment, “…I am clearly sTrUgGliN 🥵🥵🥵”. But still-waiting Fiona Xie, togged in Team Wang Design, appeared to be getting impatient. Jean Yip, the beauty mogul, and her family were seen heading for the exit, telling someone, “we’re leaving. Bye.” Those with more clout could make a phone call while aggressively pushing their way through the crowd and be ushered up the escalator, immediately. Word started to go around to explain the delay: Mr Wang had accepted a media interview. Ms Universe 2016 Cheryl Chou, chatting with someone, was cheerily indifferent to the crowd’s waning patience.
Sixty five minutes later, the escalator was ready to transport the guests one floor up. Wrist bands issued earlier had to be shown for entry. At the top of the escalator, a large crowd had already formed. A fellow escalator rider was heard wondering angrily: “We were waiting for so long, but actually so many people already here?!” Inside, the pop-up, Mediacorp stars and influencers had first dib of the offerings, including the man of the hour himself. Dressed simply in a black T-shirt (with sleeves folded up) and black pants (not jeans), he was obliging everyone who approached him with selfies and polite chatter, but remained inscrutable behind vaguely cat-eyed shades, which he kept on all night. When he left the store to address the crowd outside, grown women near the door were hyperventilating: “Oh my god! Oh my god! Oh my god!” The people who should be there—the screaming fans—were not. They continued to wait in collective high for their idol to exit the hotel. Somewhere above them, he was dancing enjoyably, fenced by more-delighted, also-bopping lasses.
Jackson Wang addressing the crowd outside the Team Wang Designpop-up at Voco
Jackson Wang was born in Hong Kong before he moved to Seoul to be part of the group Got7, a name that would work very well on our island. As fans know by now, Mr Wang was spotted while playing basketball in school by JYP Entertainment (Stray Kids!) agents who managed to persuade the school goer to join an audition for the company’s global search for talents. Among 2,000 participants, he came up top. Although around this time he was offered a Standford University scholarship for fencing (he was very much a sportsman, following the footsteps of his fencer father and gymnast mother), he turned it down. Instead he answered the calling to do music. He accepted the JYPE offer and moved to Seoul in 2011. Ater two years of notoriously tough K-pop training, including a made-for-television competition which pitched trainees of JYPE against YG Entertainment (Blackpink!), Mr Wang was made member of Got7, debuting with the single Girls Girls Girls in 2014. The rest is, as is often the case with K-popstars, has been the unstoppable rise of Jackson Wang.
Last year, it was widely reported that Got7, JYP Entertainment’s “most successful boy group”, has “terminated” their contract with the company. This came amid fan dismay that JYPE had allegedly not done enough for their boy groups, with Got7 singled out (their career had curiously been dominated by EPs rather than full-length albums, for example), leading to the thread on Reddit, ”JYP STOP SABOTAGING GOT7”. Fans were distraught that their fave septet would be no more. But, The Korea Times clarified in an editorial just three months ago that without JYPE, “this was not the end of GOT7―instead, it was a new beginning”; the group released a self-tiled EP. Even when recording new material with his band mates, Jackson Wang was forging ahead with his own carrier, concentrating on his homeland market, China. He founded Team Wang in 2017 as, first, a record label. The 28-year-old is considered to be quadrilingual—“fluent”, many say, in English, Cantonese, Mandarin, and Korean, so the plan was to establish him as an international star. His first single under Team Wang was 2019’s all-English Papillon. A year later, he released a duet with soon-to-begin-his-world-tour JJ Lin (林俊杰), the R&B-ish Should’ve Let Go.
The one print of the collection—tiger tails hidden in the profusion of peonies—that seems to draw shoppers
Team Wang Design was birthed in pandemic-high 2020, reportedly after three years of gestation. HBX, the e-store of the streetwear news site Hypebeast, describes the label, which it carries: “Wang’s vision is to align his brand with his wardrobe”. But the rapper-turned-designer is known to be partial to Fendi (although he has been associated with Armani and Adidas). He is, according to Vogue, “a Fendi muse”, and so enamoured he is with the Roman label that he even rapped about it in the track Fendiman from 2018, and urged his listeners with the plea, “call me Fendiman“. That possibly lead him to sign, a year later, with the brand as their China ambassador. Although his own label was not released until two years, he did rap in the same song, “Team Wang, label what I made”, preempting that the clothes would be on par with Fendi’s. The first collection and the core line that reflects the brand’s DNA, Cookies—The Original, comprises what are almost synonymous with streetwear: T-shirts, hoodies, blousons, trackpants, and hoodies, and all in black. The images for the launch are admittedly arresting, and are evocative of brands with European roots.
Team Wang Design, in many ways, treads the path already paved and trodden by HK-star-conceived brands such as Edison Chen’s Clot or Shawn Yu’s Madness. Celebrity multi-hyphenates are really crowding the pop/design sphere, and it would take more than references to Chinese culture, motifs and whatnot (a direction also adopted by Clot), to stand apart from the rest, or the West. The latest collection of Team Wang Design is part of another line called Sparkles. Like Cookies, the pieces would be considered staples that Mr Wang’s fans would not find challenging to accept. The brand says on their website that “pastel pink, flowers, and this season’s iconic floral design” are for “creating the perfect midsummer party”. Mudance, a play on the name of the Chinese flower mudan (牡丹花) or peony, is about enjoying oneself; is about play. Mr Wang told Vogue Thailand last month, when he was in Bangkok to shore up support for the Bangkok leg of the pop-up, “It’s summertime and summer is fun, and it’s crazy. Everybody jump (sic), and everybody needs to dance. So that’s why this collection we call it Mudance.” If the word would not excite lexicographers, the print may move graphic designers. He explained further: “It is a mixture of, of course, the mudan flower and the year of the tiger.”
The queue outside the Team Wang Design pop-up this morning
This morning, along the sidewalk between Voco Hotel and Wheelock Place, many youngsters were carrying the familiar Club 21 paper bag. Emerging from the side entrance of the renamed hotel, two teenaged girls in oversized tees and invisible shorts were each with the same carrier. We asked them if they had just visited the Team Wang Design pop-up. They froze with shyness. We told them we just wanted to know if it was any good. “Yes,” they chorused and giggled. “We came last night, but they won’t let us in. No invitation. So we try again today, lah.” Was it packed? “There is a queue,” they replied in unison, again. “The store opens at 10.30, but we were here at nine.” Your bags are full. Did you buy a lot? “Yah,” and they moved off with a gurgle of giggles
The pop-up is in an actual shop lot. Outside, two gold, metal trees (palms?) rose out of an irregular sand pit, set on a plywood floor in the colour of, well, peony. (The sand suggested the seaside and, therefore, beach wear. According to Mr Wang, it “is something I’ve always wanted to do; I’ve always wanted to do a beach pants [sic] for guys and then, a bikini for girls”.) Inside, the massive space, with just two racks of clothes, looked like it was half-dipped in pink cream. The light emerging from it cast a pale patina the shade of strawberry milkshake over the beach set-up. A queue that continued to lengthen had formed on the perimeter of the sand pit. There were mainly girls in the line. One of them was heard exclaiming, “I love this pink”, concurring with Jackson Wang, who said in the Vogue Thailand interview, “I chose pink because—honestly, personally—I’m a big fan of pink… And I just wanted to do it… I’ve always had a feeling for pink.”
Team Wang Design pop-up store is at Voco Orchard until 31 August 2022. Photos: Chin Boh Kay
They are different product categories, but both are caught in claws
Alabaster Industry’s ‘Web’ watch and the the Adidas Yeezy 45 in slate. Photos: respective brands
From wristwatches to sneakers, things are getting clawed. American cult watch brand Alabaster Industries is known for releasing timepieces that sellout in minutes. Their watches were first available here at Dover Street Market SG last April. DSMS has announced that Alabaster Industries will be back in the store this Saturday. One of the most distinctive (hence, sought after) feature of the watch is the stainless steel case cage, shaped like some claw, catching the face in its menacing grip. Even the lug (which holds the matching band) are talons. It is not quite traditional, for sure. They do appear rather sinister, even when the face of the watch is violet, but collectors love the ungual bezel precisely because they do not look like anyone would mess with them.
No less ominous-looking is the Adidas Yeezy 450, first seen online last February. Even in the butter yellow that the brand calls “sulfur”, there is no escaping those bestial appendages—only Kanye West (or his design team) has made them more alien-looking. In fact, they have been called “futuristic”. The shoe is essentially a Primeknit upper caught in the claws, made of the now-trendy material, EVA (ethylene-vinyl acetate) foam. The entire base has been described as a “dynamic-shaped” sole. Seen from the top, if the sneaker does not hold a foot or is propped by a shoe tree, it looks like flaccid fabric framed by limp dough. However strange it looks, the Yeezy 450 remains wildly popular, and difficult to score.
Looking at animal extremities for ideas is not that strange a practice. We remember Alexander McQueen’s “armadillo” shoes. That the fascination with hoofs is now extended to claws is really, especially in the case of Alabaster Industries, rather a matter of time. Even Raf Simons’s skeleton bracelet-cum-arm-band is in similar territory, never mind that the reference is decidedly human. Fashion is clearly in the grip of the strange and the claw-like. When will chicken feet be next?
Alabaster Industries watches will launch at DSMS on 6 August 2022. Adidas Yeezy 450 is available at adidas.com
Does a Louis Vuitton mahjong tile make a more resounding pong?
Increasingly, luxury brands are offering products that are outside the category of fashion. Home ware comes to mind, such as those at Gucci. But, these days, stuff for leisure or recreational pursuits are covered too. Louis Vuitton is well aware that one of their tai-tai customers’ favourites games as a pastime is mahjong. To these women and their friends a good mahjong set is crucial to the enjoyment of the game. And an expensive one is even better, in comes LV’s mahjong set housed in a monogrammed trunk. Not since the 1950s did the house sell a mahjong set. But unlike the first issue, which was a humble and slim “travel-size” case that held the tiles and such, the latest, some 70 years later, is the epitome of luxury. Everything you need to set up a game is contained in a ‘vanity’ unit, except the table.
Those who own the Hermès mahjong set and table (sold separately!) may not require any intro, but those looking to buy their first luxury majiang taozhuang or wanting to have a different one for rotation, as you would with your sneakers, might wish to know that the Louis Vuitton is housed in a handsome leather-trimmed trunk that can be checked in as luggage, for those times you need to travel with your tiles. Inside, there are six green (a shade reminiscent of the felt top of mahjong tables) compartments (drawers, really) for you to store everything you need. The tiles are made of walnut wood and stone. All these come at a mind-blowing S$89,500. How many rounds of mahjong do you need to win to make that back?
Louis Vuitton ‘Vanity Mahjong’ set is available at selected Louis Vuitton store. Product photo: Louis Vuitton
Longchamp’s popular Le Pliage bags get a colourful modern update
The popularity of Longchamp’s Le Pliage nylon tote bags, with the recognisable leather flap (punctuated by a single snap button) and a pair of colour-matched handles, cannot be underestimated. In one 2017 Business of Fashion report, it was said that the bags were sold at a staggering 11 pieces per minute! Other accounts before the start of the COVID-19 pandemic claimed more than 30 million were bought since its inception in the 1993. Through the years, there had been versions that sported prints, rather than the solid colours that the bag is known for, as well as those designer collaborations, featuring more prints (Mary Katrantzou’s in 2012, for example), even illustrations, that made the Le Pliage highly collectible. Regardless of the many verions and collabs, the bag has remained largely in its recognisable east-west orientation. Until now.
The latest Le Pliage—which means “folding” in French (it can be folded into a compact trapezoidal shape, purportedly inspired by origami)—is dubbed “Re-Play”, and comes as a reiteration of the original, but in a portrait (or north-south) orientation that some tote users prefer. Standing tall in this manner, the Re-Play is a handsome version of its original self. But what makes the current version possibly even more appealing is that it is made of “100% recycled material” that are assembled from “end-of-the-roll” fabrics. There is this an upcycle component to the manufacture. Just as appealing is that the totes come colour-blocked (six colour variations), giving them a playful spin that would appeal to those who already own a few Le Pliages.
Longchamp Le Pliage Re-Play tote, SGD155, is available to order at Longchamp online. Product photo: Longchamp
The British brand looks to Asia for their next ambassador and they found him in Thailand
Vachirawit ‘Bright’ Chivaaree, Burberry’s new brand ambassador. Photo: Burberry
Burberry has once again found a male face among the many willing Thais to peddle their wares. This time, as brand ambassador. After the unlikely Issan-born Manchester chap Zak Srakaew for their autumn/winter 2020 collection, they’ve now made a more conventional choice—the Bangkok-based actor Vachirawit ‘Bright’ Chivaaree (วชิรวิชญ์ ชีวอารี)—as the guy to front their campaigns and wear their clothes in public appearances. Unlike Mr Srakaew, Mr Chivaaree—known professionally as Bright—is not pure Thai, or as dark-skinned, or unknown. He is a (preferred) luk khreung (literally ‘half-child’) of Thai, Chinese and American decent, but still unmistakably Thai, a man of adequate fairness, and a radiant star of film and music.
Born Kunlatorn Chivaaree in 1997, in the province of Nakhon Pathom, central Thailand, to Thai-American father and Thai-Chinese mother, he was the only child from a family that has not been described as poor. His parents divorced when he was young and he grew up with his maternal relatives. Answering to the nickname Bright, he spent his growing-up years in a music school owned by his uncle. Although he loves to play music instruments and is able to with several, he has not been regarded as musically gifted. The soccer-loving actor told Harper’s Bazaar Thailand, “I’ve been playing instruments—guitar, bass, drums, keyboard and other Western instruments—since a very young age, as I grew up in a music school”.
Bright Vachirawitas Sarawat playing the guitar in the drama 2gether: The Series. Screen shot: GMM TV/YouTube
He did not, however, mention a broadcasted interview with Elle Thailand in which he spoke of a music competition that he and the mates of a band he formed participated during high school (he attended two, but did not mention which). During the audition that was judged by teachers and seniors, they were not selected. On the day of the finals, Mr Chivaaree and his band members “thought that (their) performance was much more interesting, and (their) friends would want to watch (them) play. (They) then prepared to go up on stage to perform, and asked those guys to leave the stage. Everyone was screaming and shouting. In the end, (they) were sent to the student affairs office.” As shocking as that revelation was, he did not seemed remorseful. Former schoolmates shared online their own take of what happened that day. Many thought that he still did not understand the impact of his actions, and was fervently glamourising it. As with the proverbial opening of a can of worms, more accusations emerged (even a teacher joined in the fray). He was accused of bullying, discrimination against LGBTQ classmates, sexual harassment, body shaming, and even colourism.
All this was little known (or not shared) when, at 22, Vachirawit Chivaaree became an overnight star playing the gay lead in the ’boys love’ (BL) TV rom-com 2gether: The Series, broadcast months before the Elle interview. Adapted from a 2019 eponymous Thai novel, the weekly drama would be so wildly popular that it is thought to have brought the BL genre to global attention, even when Japan was the first to introduce yayoi stories in the form of manga, anime, TV series, and other media. Mr Chivaaree took on the role of Sarawat, a musician and a footballer (nothing surprising in those two selves) in university, persuaded into a pretend relationship with Tine (a fellow student played by Metawin ‘Win’ Opasiamkajorn), who is the target of unwanted attention from another schoolmate. Too much noise (and the not-too-polite Gen-Z speak) and too much makeup characterised the unfolding narrative. Fake, as is often the case in Thai dramas, became real, the hard-to-get turned the unable-to-forget.
Bright Vachirawitas the smouldering Sarawat viewers are madly in love with. Photo: GMM TV
Gay characters are nothing new to Thai TV audiences, but 2gether brought sweet gay romance—not misfortune, repudiation, or indiscriminate sex—to a mass audience. Out of the dozen people we spoke to in Malaysia, Bangkok, Hong Kong, Taiwan, and on our island, all of them except one said it was “predictable”. One Malaysian K-drama fan said it’s very kiddy and is “targeted at teens”. In fact, university is one big social club of clubs. No one ever studies. Yet many fans were sucked into the pull of the simple plot and clichéd comedy (the two actors happily told the media that the drama is “light and easy to follow”). Viewers were talking about getting their “Sarawat X Tine fix”, even when some were saying that “the first half was great to watch but in the second, they were just like friends”. A month after it first aired in February 2020, the streaming platform Line TV reported 50 million views, prompting the online suggestion that it was the concomitant COVID-19 lockdown that was on the drama’s side. When production company GMMTV shared the drama on their YouTube page, the first episode alone garnered 29 million views to date. It was even picked up by Netflix, paving the way to American audiences.
The controversial high school reveal that emerged from the 2020 Elle Thailand interview was more or less confined to Thailand. Although he did apologise soon enough for what he said, he did not escape later, just-as-contentious tweets. Within months of the broadcast of 2gether, the show became a hit in the Philippines, and the massive market, China. In early April, Mr Chivaaree, a photography enthusiast, innocuously liked a post shared by a Thai photographer that featured four skylines referred to as “countries”, and Hong Kong, as fate would have it, was one of them. After a Chinese Weibo user shared a screen shot of that post, Chinese Netizens went quite mad about the actor’s seeming disrespect of China’s sovereignty and demanded an apology. He offered one on, but that wasn’t the end of it.
In Singapore this month for Burberry’s TB Summer Monogram bash at Tanjong Beach Club, Sentosa. Photo: Burberry
Not long after, his supposed girlfriend at that time, the influencer Weeraya Sukaram—aka Nnevvy—shared a Thai tweet that questioned China’s motive in not wanting foreign investigators in the country to determine whether COVID-19 was leaked from a Wuhan lab (and concurrently saying foreigners imported the virus). As with Mr Chivaaree’s retweet, Chinese Netizens were enraged. That was not the final misstep of Ms Sukaram. In one old post that they managed to uncover, she had responded to a question about her clothes she wore in a photograph by saying that the style was “Taiwanese”, again apparently acknowledging another neighbouring island to the mainland as distinct and separate from China. Mr Chivaaree, not yet distanced from her, was also embroiled in the anger she once again aroused among the Chinese. He apologised on her behalf.
The uproarious reaction in China mattered little to the Thais. When, in a tit-for-tat move, the former criticised and insulted Thai politicians and even the king, the Thais were happy that there were others doing the work for them (this was, after all, during the student protest of 2020). It is not known if Burberry is aware that their choice of Vachirawit Chivaaree as their new ambassador may rile the Chinese (still), with implications in possibly the brand’s biggest market, but in Thailand, the appointment is considered a triumph for the kingdom. Some Thais, however, did not think Mr Chivaaree is the best pick, considering him too 2020 and reminiscent of the start of the pandemic. He is, they believe, not as popular as before, even if he is still very recognisable, and well loved among Thai advertisers. There are those who think the current favourites, PP and Billkin—either one of them should have been considered by Burberry.
In the latest Burberry campaign. Photos: Burberry
Although 2gether: The Series was given a second season Still 2gether and the film 2gether: The Movie, with Vachirawit Chivaaree and Metawin Opasiamkajorn in the lead roles, it would be another BL drama, the two-parter I Told Sunset About You and I Promised You the Moon, that found another group of fervid fans. The two male-leads-in-love this time are Krit ‘PP’ Amnuaydechkorn and Putthipong ‘Billkin’ Assaratanakul. Both actors are Bangkok-born and are singers (like Mr Chivaaree, Mr Assaratanakul sings the theme songs of the TV series that he stars in), and both have such on-and-off-screen chemistry that there was persistent “rumours that PP and Billkin were ‘together’ during their school years”, one Bangkok media professional told us. Is it true, we asked. “It’s hard to say,” she replied, “but people like to believe that they were. It’s great for the fandom. That’s why I think what they represent seems bigger than who they really are.”
Perhaps what the actors of extremely popular BL drama represent matters not to Burberry as much as the reach of the brand ambassador they pick. Despite I Told Sunset About You’s huge commercial success—in China, too, where they enjoyed a Douban score of 9.4 out of 10—and critical acclaim—A Bangkok Post review enthused: “At times sensual, at times heartbreaking, Sunset was a well-rounded, coming-of-age drama with good writing, and beautiful cinematography to match”, it would be Vachirawit ‘Bright’ Chivaaree’s shinning star that impressed Burberry’s casting director. In the brand’s images just released, Mr Chivaaree, with those beguiling locks and speaking eyes, looks adequately aloof and moodily romantic—an expression that seems to say, as he did when he, in 2gether, met Tine for the first time, “Keep looking at me like that and I will kiss you till you drop.” Totally “grumpy” Sarawat.
In her new album, Beyoncé won’t miss letting us know she’s rich and wears major luxury brands
In the “official lyric video” of Beyoncé’s latest song, her fave brands are made known to viewers. Screen shot: Beyoncé/YouTube
Beyoncé may wear near-nothing on the cover of her latest album Renaissance, but she does let us know in her thumping songs that she has a closet full of expensive stuff. And it isn’t just “this haute couture I’m flaunting”, as she sings/admits in Summer Renaissance. In the “official lyric video” of the song launched on YouTube and Vevo yesterday, she includes a textual list (in full caps) of the brands that she is partial to: Versace, Bottega, Prada, Balenciaga, Vuitton, Dior, Givenchy, and the sole American brand, and the only one with a Black (Liberian-American) designer, Telfar. Token?
We note that she places Versace at the top of the list, Prada above Balenciaga, and is careful to organise LVMH brands in a group and on a single screen. No Gucci! But two ’B’ Kering brands get the nod. Strangely, the two bags mentioned are Telfar (which she tells us is “imported”—made in China) and Birkin, both in the same line, but since she did not mention Hermès, could she be singing about the “Bushwick Birkin” that the Telfar bag, as we know, is dubbed in the US? There is no citing of her own fashion line Ivy Park, although she did consider her other name Bey a ”category”. Not really a song about fashion, Summer Renaissance samples Donna Summer’s I Feel Love from 1977, but her ”it’s so good” chorus is not nearly as orgasmic, even when she sings, “I just wanna touch you; I can feel it through those jeans.”
Her dance-leaning seventh studio album—surprisingly no vocal histrionics—mentions other luxury brands too. In Alien Superstar, she sings about “Tiffany Blue billboards on the ceiling” (obligatory inclusion since she and husband Jay Z are Tiffany models?). And Heated lets us know, “I’ve got a lot of bands (wristbands?), got a lot of Chanel on me (in the chorus, we also heard “like stolen Chanel, put me up in a jail”). She brings up Tiffany again, after reminding us, ”I got a lot of style”. It is possible that Beyoncé is being ironic although it is also likely that she is adopting the tendencies of other rap/R&B artistes: boasting about their possessions and acquisitions—most recently Kanye West telling us via Instagram that he racked up at Balenciaga an attention-worthy total of USD4,032,260 in 2022, so far. It’s so good?!
Touted as the group to revive Canto-pop, Mirror is now in the news regionally for an uncommon-in-Hong-Kong stage mishap. Who are the boys in this band of merry 12?
The 12 members of MIRROR, as seen in a performance in May, 2021. Photo: MIRROR/Facebook
Warning: video links in this post will show footages that may not be suitable to some
Hong Kong social media and news platforms have been buzzing with discussions of what happened at the pop concert mega-venue Coliseum last night, around 10pm. In the middle of the performance by the hottest boy band of the moment MIRROR, a massive LED screen, suspended mid-air, fell, according to local reports. The horrific incident was caught on video (see links below) and it went viral as quickly as the video panel crashed. According to the Chinese paper Oriental Daily (東方日報), “it fell on two dancers who were performing… and one of them was suspected to have been hit on the back of his head”. It added that “many spectators saw the accident, and screams were let out, and some covered their faces and bawled”. The South China Morning Post (SCMP) later reported that “a local hospital said one performer suffered neck injuries and was in serious condition in intensive care while another was stable.”
Staged in Canto-pop’s performance mother ship in Hung Hom (紅磡, pronounced hong hum), southeast of Kowloon, this was MIRROR’s debut at the Coliseum (香港體育館). Last night’s performance was the group’s fourth of 12 scheduled concerts. As seen in video clips circulating online (such as this and this. Please note that these clips may be distressing to some viewers), two members Anson Lo and Edan Lui performed with several dancers when one of the eight suspended LED screens (for close-ups of the boys) plunged, hitting one dancer and toppling onto another in full view of the already-entrqnced audience who screamed in palpable horror and disbelief. The news quickly travelled beyond the Coliseum. An SOTD contributor, who was on his way home in Tsuen Wan in the north, received news and the video of the incident and told us this morning that he “didn’t, at first, think it was true.” A friend then sent him a clip and assured him that it was “新鮮熱辣 (sun seen yeet lat or fresh and hot)”. “As far as I can remember,” our source said, “nothing this dramatic has happened at the Coliseum before”.
At the point of impact. Screen shot: Ezra Cheung/Twitter
Many Hongkongers woke up this morning to the shocking news. Social media platforms saw heated discussions that expressed anger: This, fans noted vehemently, was not the MIRROR concert’s first incident at the Coliseum. On Tuesday night, group member Frankie Chan, soon to celebrate his 34th birthday, fell when he moved too closely to the edge of the stage while giving a speech. But he was not seriously hurt and the concert continued. After the performance, Mr Chan shared on social media a photo of his scraped left forearm, saying, “令大家擔心sorry (leng dai ga dum sum sorry or sorry to make everyone worry”. The day after the fall, more than 11,000 fans signed an online petition to ask for better safety standards for the performers. Although the question of safety was raised again this time, Hong Kong media reported that production companies involved in the live show have not admitted that they were responsible for the suspension of the problematic LED screen. The rest of the MIRROR concerts are now halted, with the new chief executive John Lee ordering authorities to “comprehensively investigate the incident”.
The staggering popularity of MIRROR in Hong Kong has been dubbed a “social phenomenon”, with SCMP describing it as “fervour unlike anything the city has seen for some time”. The rapid rise of the group is especially significant when the mood in Hong Kong still “reels” after the city-wide protest of 2019, the imposition of the national security law that followed, and the spread of the COVID-19 pandemic. Many MIRROR fans are drawn to “Hong Kong people singing to Hong Kong people about things Hong Kong people understand,” as our contributor explained. The fever has afflicted non-locals too. One Hong Kong-based Singaporean told us, “I follow them fervently; I watch all the TV series they are in.” On our island, there’s even an SG MIRROR Fans Club! Last year, so massive did MIRROR become that McDonalds Hong Kong. almost turned their burger chain into McMIRROR, letting the boys’ poreless faces appear practically everywhere and on anything under the Golden Arches, from restaurant interiors to the food packaging to billboards ads, to self-service ordering kiosks. There were even collectible play cards! The fasfood’s video ad with the boys in it drew more than 3.7 million views on YouTube in the past 11 months. The sudden ubiquity of the boys is mind-boggling when the group was only celebrating their 3rd anniversary in that marketing coup with McD.
Mirror in the music video of their 2018 debut track In a Second. Screen shot: MIRROR/YouTube
Like the original size of the “King of Hallyu Wave” Super Junior in 2005, MIRROR consists of 12 members (we won’t list all their names here. That would be for another post). They did not go to some training boot camp organised by a recording company. Rather, each of them participated in the talent competition Good Night Show—King Maker (known locally as Good Night Show 全民造星), which is clearly inspired by the K-pop star search series Produce 101. Created by ViuTV, the Cantonese entertainment channel of HK Television Entertainment, the King Maker (or Kings as it were for MIRROR) is a reality TV program that seeks out talents from scores who show up for competitions, fighting it out in different performances to show off what they truly have. MIRROR comprises these unique individuals, which means not all of them can sing or that anyone of them has a stand-out voice. But that is not the sole ability fans look out for. Among a dozen of winsome boys from different backgrounds (journalism to sports) who get to do their own thing (such as pursue their solo careers or act in TV series without their mates), fans can choose their perfect idol and fashion icon.
There was less of such a collective with which to enjoy one’s star obsession in the past. Until MIRROR’s almost overnight success, the popularity of Canto-pop has been on the wane. Before them, people were mostly listening to artistes from the “golden era” of Hong Kong music: the ’80s and ’90s (we confess we still have Anthony Wong Yu Meng—and his debut band Tat Ming Pair—and the largely forgotten duo The Raiders on our playlist). Three years prior to MIRROR’s entrance, the live TVB broadcast of the 2015 Jade Solid Gold Top 10 Songs Music Awards ceremony (勁歌金曲頒獎典禮), once dubbed “Hong Kong’s Grammy’s” and compulsory viewing, went by without much notice or discussion the next day. Speaking to some Hongkongers, hardly anyone remembered who won what that Sunday night. And then MIRROR arrived In a Second (一秒間).
Curiously, three of the fours bands that were formed under the auspices of ViuTV have two-syllable names that end with the ‘er’ sound, and spelled in full caps, including ERROR and the girl group COLLAR. While many would say that MIRROR offer nothing that has not been covered by far more successful K-pop groups, they are agreeably sons of the SAR soil. Their appeal, as Tatler Hong Kong put it, boils down to the boys’ “good looks and magnetic personalities”. Attractiveness and magnetism are, of course, subjected to re-definition as time passes, but some Hongkongers observing the evolving pop scene in their city note that these boys are not exactly Beyond. “I think they’re more like the Grasshoppers of their generation, only bigger in numbers” another contact told us. “They’re just a copy of what the Koreans have been doing for years”. On their allure, he replied, ”very MK”, referring to Mongkok, the residential and commercial neighbourhood many similar-looking and similarly-dreaming boys gravitate. On our shores, we may simply call them Bengs.
The mighty heart of Comme des Garçons’s Play line now has a Converse star for company
A good heart is hard to find, they say (and sing). But the Comme des Garçons sub-brand Play did discover one. And the brand has used it well, establishing a long relationship with it—20 years! It first appeared on T-shirts, followed but other garments, then on shoes, and perfume bottles. But the mouthless heart—the first-born is red—has mostly been a solo act, even if it has appeared with its siblings of other colours, even expressions. On sneakers, it certainly has been more of a singleton (even if it appears as multiples of itself). Until now. In Play’s latest collaboration with Converse the seeing heart—in red—is given a celestial companion, a star. And a red one too.
On the quarter of the cotton upper of the Converse One Star sneaker (rather than the usual Chuck Taylor All Star since 2009), the heart is placed on its side, as if reclining. The star, a pentagram, slightly askew, appears as an inset, as if framed. The pointed end (chin?) of the heart is directed at the left vertex of the inner pentagon. It is tempting to think there could be a message in that side-by-side placement, but if the pentagram is also a symbol of humanity (as suggested in Leonardo Da Vinci’s Vitruvian Man for instance), than the heart, even if it is not looking at his mate, is a fitting—and comely—match.
Play Comme des Garçons X Converse One Star, SGD210, is available at Play corners and Comme des Garçons. Photo: Comme des Garçons
It is increasingly common for retailers to use social media to hawk their wares. Design Orchard is no exception. We really applaud them for their enthusiastic online marketing efforts, and the smile they bring to our cheerless lives. On their delightful Instagram page, shopdesignorchard, two hours ago, our island’s premier retailer of all things local—not just fashion—shared some of their “new brands, new choices” in a strangely slipshod post. To be sure that what you’d be acquainted with are SG brands, they were certain to let you know that they “love seeing and supporting up and coming (sic) local designers” and that the three-year-old store has admirably “quite a line up (sic) just for you”.
What might that tantalising “line up” comprise? Nine brands—four fashion labels, two jewellery, one skincare, one fragrance, one home ware—are in the dazzling selection. Like Design Orchard, we too love supporting the brands that are proudly birthed on our shores, such as As’Fall, which, according to their own ‘About Us’, first “opened in Lausanne Switzerland in 2009” by French-Sengalese designer Astou Montfort. She moved to our island in 2017, and her label is now “made in SG, Bali” (islandic!), with “embroidery in Senegal”. Design Orchard’s IG post told us (all the following quotes are verbatim) As’Fall is “a brand that works with small family businesses and communities who are rich of long craftsmanship experiences that are inherited down the generations in embroideryy (sic), beading, dyeing or weaving”. Long, indeed. And, experiences inherited, but not the actual craftsmanship?
Then, we were introduced to Flair by Tori, “a Singaporean fashion label (with links to Australia) made for the confident cosmopolitan woman”, not including, naturally, the rest of us diffident kampong girls. Ms Tori’s Flair is in ‘One Wear’, ”uniquely gorgeaous (sic) piece s (sic) that let women go bra free (sic)”. In modest and provincial Singapore, you can’t be more confident and cosmopolitan than that. And if you are seeking “sustainable activewear made upcycled from post-consumer plastic waste that keeps you looking good and feeling good while you lunch, lounge and lunge (or whatever else it is you enjoy doing)”, you are covered by MYË (“pronounced: me-uh”, we learned. How Gen-Z!), whose founder, Raffles Design Institute alumna Mai Takemori, creates “workout clothes designed to last, crafted for performance, and hella cute and comfy”, their corporate message makes darned clear.
If accessories are more your thing, Mildly Pink, which touts itself as “homemade brilliance”, is exceptionally a “Singapore-based female hand-made jewellery label, born out of the founders; passion to portray the world with a magical twist”. Forget the founders, or what they can bear. The world, as we know, isn’t twisted enough. Or adequately inclusive: We need “female” labels. For skincare aficionado, you may gravitate towards Jill Lowe. A blast from the past, the name—once associated with image consulting—now offers you “skincare solutions to rebuild one’s character and image”. Should Siriwipa Pansuk consider this wonderful overhaul? And if you cannot resist a good fragrance, how about those by Scent Journer? They are “on a mission to empower you with perfumes… and only the highest quality organic sugarcane alcohol is used to boost your mood in a nano scond (sic)”. Take a deep whiff: This is better than laughing gas.
The Kanye West-steered sub-brand of the Gap has its own space in a Gap store at last. But there is no shelf, no table, no rack. Everything is placed in bulk bags. Like merchandise to be discarded, or incinerated
The Gap store in Times Square, New York
Kanye West is paving the way for the Gap, literally with bulk bags. At its inaugural IRL retail run, a “pop-up” inside the Gap in Times Square, the space dedicated to Mr West’s much-hyped partnership with America’s most recognisable mall brand is nothing like what you might expect. Outside, at the corner of Broadway and West 44th Street, the blue façade and its lighter blue box-logo are all unmistakably the Gap. On the roof, above the large three-letter name are two billboards—one of a dove in flight, the other, a still, dark spectre—that stand ominously. Inside, it is just as sinister: In a narrow space the width of a hospital corridor, it is all black and dimly lit (low-light ambience even Abercrombie and Fitch has abandoned), like an entryway to a secret lair. Only this is not an unremarkable passage. This is where the hottest and most anticipated collaboration is sold, shockingly in those typically one-ton (here, they seem more capacious) receptacle of polypropylene for packing and moving goods, all two dozens of them. This could be easily a receiving bay, if not a dump site.
After two years of considerable hype, inconsistent drops, and online-only availability, the Yeezy Gap, presently “Engineered by Balenciaga”, retail space opened last Thursday to long queues. To avoid the possible crush, we visited the store on a Monday afternoon. It was not busy. But it was not the lack of a crowd that hit us immediately, like a slap (such as this one); it was the strange grimness. This is the highlight of summer shopping? This is the Gap? There is more cheer in a Yohji Yamamoto store. We knew there would be a predominance of black, but this drabness and gloominess? And what’s worse, those waist-high, black sacks on the floor! Walk into the store and they they are on the right, placed in two rows, like oil drums, in the middle of the passage. It’s like visiting a wholesale market for secondhand clothes. You walk around the bags and look inside them to find what you want. And you have to rummage to find your size. This is worse than excavating a sales wagon at the OG Orchard closing down clearance.
Two rows of bulk bags in which you are encouraged to diginto
We were not the only ones shocked by the refuse point. One Black guy was heard saying to his buddy, who looked like he stepped out of the rooftop billboard: “Are they kidding? Trash bags?” Our photographer, who visited the store earlier said, “it was very unnerving for me to see the black bags in the black surroundings. Can you imagine what it would be like for the tourists?” The containers already looked a mess when we approached, even when there were six staffers folding the clothes and arranging, and returning them to the rightful vessel, tagged with images of the garment that reside in it and the price, after customers have finished with one and moved to the next. There was an unmistakable lack of allure, but since we were there, we thought we should just join the unconventional way of shopping for clothes and just dig, like everyone else. But, we kept thinking of meigancai (梅干菜, dried pickled Chinese mustard) in Albert Centre Wholesale Market. There is something menial about going through the clothes in this manner, too. No pleasure.
We looked at a mock turtleneck T-shirt with a surprisingly tiny white Gap logotype right in the centre, about 5 cm below the neckline. For some reason, the tees are made of very thick cotton jersey (and it was 28°C outside). A pile of, say, five of them is heavy to lift. A woman, frustrated by the hard work she had to do, muttered, “why is everything so fucking heavy?”. To see what what we were digging, we had to bend over the bags’ massive opening. After three minutes, it was too much. One of us decided to try a T-shirt, for the heck of it. At US$140 a piece (or more for other styles), they were rather hard to swallow. We picked the simplest: the mock turtleneck. The fabric was disturbingly thick. No one around us, we noticed, wore anything that heavy, except the staff. When we pulled the top down over our head, it was stuck; when we yanked harder, we thought we popped the stitching on the neckline! Why was it this tight?
Each bag is tagged with illustrations of the style of the garment as well as a number—the price
When we managed to remove the T-shirt, we noted that the neck was ribbed, but why was there the poor “stretch and recovery”, to borrow from production speak? The problem, it appeared to us, was technical: Somehow, Mr West and his team decided on this heavy fabric, and the rib on the neck had no Spandex in it. With possibly mis-calibrated knitting tension, the rib is limp and won’t stretch sufficiently. When we brought this up with a former Gap merchandiser, he was surprised that that could happen. “Is this the Gap we’re talking about here? They do the neck stretch test there (they invented it!), even for children’s clothes!” As for the heavy jersey, one designer told us that this has been the fabric choice—the dry-touch compact jersey that is rather ’70s—for many brands wanting to appear “luxe”, but “luxe,” he added, “does not need to be heavy.”
We did not want to look into the other bags—they were all equally uninviting. There is so much you’d wish to do if the Gap made you feel like you’re at a quartermaster’s retrieving uniforms. It is possible that Mr West wanted to create uniforms for his tribe of eager followers and, in due course, improve the sagging fortunes of the Gap. But these clothes are not the one-time uniforms of teens craving the Gap’s ubiquitous jeans and graphic tees. A far cry from what the Times Square website describes on it pages: “clean, classic and comfortable clothing”. When we first saw the pieces on the Yeezy Gap website, it is clear the line is aesthetically apart from the 52-year-old American brand to which it owes half its name. The Gap has lost its mojo for so long that even fans do not remember when they last brought anything from them (all Gap stores here closed in 2018). The brand needed a life buoy and it was tossed one. Kanye West could, apparently, be to the Gap what Alessandro Michele is to Gucci. So he got the job.
Quite a sea of clothes dumped in those bulk bags
But in the first 18 months of the collab, just two products—one puffer and one hoodie—were made available and only online. Compounding that, the e-retail model was troubled by missed datelines, low stocks, and late deliveries. Mr West seemed to need a life buoy too. So pal Demna Gvasalia came to the rescue and became co-conspirator, an unsurprising turn as the two desire to dominate the fashion world with their oversized, body/face-obscuring clothes. Additionally, Mr West announced on social media not too long ago that he had already spent US$4 million at Balenciaga so far this year (how much more before this is unknown. The former wife’s and daughter’s bill were not tallied either). Why not allow Balenciaga to make more by getting them to “engineer” Yeezy Gap? Speaking to The New York Times recently, Mr Gvasalia revealed that he wanted “to create a solid foundation for Ye’s aesthetic on which they can now build”. The paper also reported that Mr Gvasalia was “engineering the prototypes in the Balenciaga studios in Paris and Zurich”. Most of us already knew the clothes were based on Balenciaga blocks.
Kanye West might have been too busy to see Yeezy Gap through. After the partnership was announced, he ran for the US presidency, saved his marriage (tried to), insulted his ex’s boyfriend, and put out the album Donda, whose overall visual was co-conceived with Demna Gvasalia. Was he too busy to handle Yeezy Gap on his own unaided? Or was he, as the rumours flew, really unschooled in fashion design for a mass brand? According to the photographer Nick Knight, who also spoke to NYT, “if he wants to spend a year looking into the colour blue, we’ll spend a year looking into the colour blue, which is extremely inspiring when so often schedules take priority over creativity. He doesn’t see himself in any way constrained by deadlines or seasons. I don’t think he would even use the word ‘collection’ for what he is doing.” Mr West, in other words, marches to his very own Roland drum beat.
Digital screens to welcome you: The Yeezy Gap metaverse that apparently is taken from a related computer game
Moving to the back of the dedicated space for Yeezy Gap Engineered by Balenciaga, we saw that provision was made for the line that was expected to form at the cashier’s counter, which was just as black as the rest of the store. The rear wall, where a video screen was installed, was dark this afternoon (another two screens to the left of the entrance were aglow with some sky-like background, in front of which two avatars were dancing/spinning in mid-air). We stood comfortably in the quieter rear and sized up the near-monochromatic tableau before us. The shoppers were mostly male, dressed unmistakably in what Mr West desires them to: oversized tops and bottoms. Many gravitated to the T-shirts, with which they could probably at last enter the expensive world of Balenciaga, whose very temple of cool is about 1.5 kilometres away on Madison Avenue. This was far more accessible, and the clothes could be binned when desire, for some reason, was not aroused.
As we were leaving the store, more people dashed in excitedly, like they were approaching some concert merchandise. Would they leave as disappointed as we did? Stepping out into the afternoon warmth, we thought of that thick jersey T-shirt again. For the higher-than-the-Gap prices that Yeezy Gap charges, what incredible experience did the store offer or was it just the letdown that was indelible? It was hard to imagine that this would be how the Gap intends to move forward or ensnare the unconverted. One Singaporean working in New York later told us that he was “completely turned off by the experience” and that he could see a “stark disconnect with mainstream Gap”. When we asked him if it could be just some high concept that escaped him, he replied, with palpable disdain, “high concept, my pantat!”
Yeezy Gap is at the Gap, 1514 Broadway, New York City. Photos: HL See for SOTD
In Paris, Chinese students, wearing hanfu, want Dior not to claim a skirt as the maison’s “hallmark silhouette”
Chinese students in hanfu protesting outside the Dior Champs-Élysées store. Photo: 小红书
In February 2018, Dior showed the autumn/winter collection inspired by the student demonstrations that shook Paris in 1968—the models walked through a show space lined with wallpaper, as well as those for floor, of catchy slogans and ripped protest posters. Little did they know that four years later, they would witness a real protest right on their very doorsteps. About two weeks ago, consumers in China were deeply unhappy that Dior had described a “mid-length pleated skirt” that the brand sold online as a “hallmark Dior silhouette”. They considered the said skirt to be too similar to the Chinese’s own ma mian qun ((马面裙) or horse-face skirt and considered Dior’s a “plagiarised” product. The unhappiness rumbled through Chinese social media, but Dior probably did not expect that Chinese students furthering their education in Paris and elsewhere would take it further: To the street—the famed Avenue des Champs-Élysées, no less—in front of Dior’s flagship/headquarters.
Last Saturday, when they were not attending class, about 80 to 100 students (as well as those not studying in France) dressed in hanfu (汉服) fineness—traditional Han Chinese dress (but not necessarily historically accurate)—protested on one of the busiest and known avenues in the French capital. The student organisers, according The Observer, had expected about 20 to turn up, but the support was more encouraging than they had anticipated. According to them, even the locals were supportive of their action. Reportedly, a Frenchman who had previously participated in hanfu-promoting activities and and had worn a ma mian qun himself “understood what the students were doing”. One of the three organisers, surnamed Liu (刘), who apparently flew to France from China to see if Dior is still selling the offensive skirt in their stores in Paris, told the media: “Cultural reference (文化借鉴, wenhua jianken) we support—we are willing to share good things—but cultural appropriation (文化挪用, wenhua nayong) is absolutely not allowed.”
Protesters showing a ma mian qun. Photo: 小红书
The protesters held up cardboards and notices that read “Dior plagie la conception” (Dior plagiarises design), “stop appropriation culturelle (stop cultural appropriation)”, “C’est la tenue traditionnel Chinoise (this is traditional Chinese clothing)”. They chanted non-agressively: “Please stop cultural appropriation and respect Chinese culture”. The rather mild demonstration was livestreamed on Weibo and Wechat, according to Chinese media reports, and attracted more than 500,000 views. Online, Chinese outrage was also directed at how Dior, for the opening of its new store in Seoul and where the brand’s fall 2022 collection was stage to coincide with the event, acknowledged Korean influence in their work, sharing on Instagram that the store “fuses French and Korean culture, incorporating important and innovative digital dimensions”. Dior, those who oppose the brands action say, did not take into consideration the Chinese influence in their creative output, but would give a nod to the Korean’s. In the brand’s show notes of that season, it was stated that the collection, including the skirt, was inspired by school uniforms, hence—it could be assumed—the choice of Ewha Womans University as the show venue.
Some outside China consider the students’ action to be weakly-sighted cultural pride. And that there are other bigger issues to consider. One smaller group positioned themselves opposite the Chinese protestors with their own signs that read “les driots del’homme comptent (human rights matter)” and “裙子 〉人权 (skirts greater than human rights)”, likely referring to the still-problematic issues with the Uyghurs and the Xinjiang region in which they live, where the West believes crimes against humanity is committed by the Chinese government. It is tempting to see that perceived cultural appropriation can be used to divert the scary realness of human rights violation. A Chinese counter-protester was quoted by the press: “these people have the right and freedom to march, but they are discussing whether a skirt is plagiarized, rather than discussing June 4th, the Uyghurs, etc.” Ms Liu’s stand was that plagiarism and cultural appropriation cannot be ignored. She said, “Today, if you—an influential international brand—appropriate our culture, and we do not speak up, then in the future, no one would know that this, in fact, belongs to traditional Chinese culture.” As with most things now debated online, other counter-arguments have emerged. Some in France are now joking that the Chinese are finally aware that plagiarism is not good—the realisation, they say, is “a big improvement”.
Update (26 July 2022, 9am): The Dior “mid-length pleated skirt” is still available on their SG website