As anticipated, Linda Evangelista appeared on the Fendi runway. Was Marc Jacobs, Fendi’s latest collaborator, sidelined?
Was it supposed to be Marc Jacobs’s moment? Or did Linda Evangelista steal his thunder? The Fendi show—the resort 2023 collection that also hailed the Baguette’s 25th year—was lauded to be so “big” that New York ”hasn’t seen” such a presentation in years. But the loudest applause was showered on Ms Evangelista when she walked in—not “strut down the runway”, as some reports described—to join the designers basking in the enthusiastic response to their work done. She strolled in like a star, rather than a model, wrapped in a taffeta coat the colour of an unmistakable Tiffany blue. She smiled and recognised the applauding support of her reappearance on the catwalk. Towering above the rest standing beside her, she looked good, with her black hair pulled back to reveal the recognisable face, but her body was obscured by outerwear that the late Andre Leon Telly would be thrilled to put on. However, the press described it, Linda Evangelista appeared to just show her face.
To be sure, Marc Jacobs encouraged the attention on her, jumping excitedly and gesturing madly to the audience to inspire a standing ovation. Ms Evangelista’s appearance was expected since last July, when the news-that-amounted-to-an-announcement emerged along her appearance in the Fendi ad for the Baguette. Marc Jacobs’s participation in the current Fendi show was not regarded as that likely since it was only rumoured in June (even earlier than the return of Ms Evangelista) that a “Marjendi”, as WWD called it, could be in the works. Fendi’s Kim Jones had already made Fendace happen, why diminish that novelty, even if tacky, by doing another even if the collaborator is a different person/brand? And would he really want to work with a former colleague? Apparently so. But unlike Fendace, the latest guest-designer-interprete-Fendi exercise did not have its own runway show. And Kim Jones did not decode Marc Jacobs.
This time, the hacking involved more than one other brand. There is additionally the now-LVMH-owned Tiffany & Co, as well as the Japanese bag maker Porter. Tiffany lent its distinctive blue to the clothes and bags, as well as bling in the form of diamonds on the Baguette, as well as jewellery. As for Porter, it is likely “homage” to Fendi’s It bag from 1997 in the form of lightweight iterations (frankly, we can’t tell which ones). Of the 54 looks shown, ten were designed by Marc Jacobs. And it was not hard to guess which ten. As soon as the models with the massive woolly hats appeared (reportedly made from recycled fur), we knew we’re in familiar New York territory, even if it was not in the Park Avenue Armory, or, as of late, the New York Public Library (after the bribery scandal regarding the use of the former). According to Mr Jones, Marc Jacobs, who is a “hero of (his) from day one”, was asked to put together a collection inspired by the Baguette. The connection was not immediately discernible, but the silhouettes of the ten looks that came at the end of the show did point to those Mr Jacobs has preferred since his autumn/winter 2021: ungainly and weird.
How these un-Fendi pieces add to the celebratory mood of the show isn’t clear. Or, exult over the past success of a bag that had already won its place in fashion and pop culture. Mr Jones stated in the press release of the show: “It’s a celebration of a time, of the moment the Baguette became famous”. As the Baguette needed to take centrestage, they appeared not just as the item itself, but as Baguettes on Baguette—mini ones acting as pouch pockets on a large piece, and with a surfeit of the double-F logo/buckle. It was also remade in other forms that were not a handbag—a marsupium on totes, even anorak pockets that double as hand warmers. And, it appeared practically everywhere a bag—micro as they were—could be placed: on hats, on clothes, on gloves, on socks, on leg warmers. No part of the Baguette could not be repurposed: Even the bag flap had a new life as pocket flaps! Who’d guessed that Carrie Bradshaw’s favourite bag could reincarnate so splendiferously? Perhaps one super of supers could. And did.
Photos: (top) gorunway.com and Fendi
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