Up close with the curious collab: It is as terrifying as imagined, even when not much is available
Fendi and Versace equal Fendace, a name that rings of Pantpong of the past. We still do not know what to make of this collaboration (we were, in fact, reminded not to call this as such. It is a “swap”). Is it a joke that we do not understand and, therefore, can’t laugh along? To be sure, Fendace speaks to a very specific target: those who are nostalgic for Versace loudness pied-pipered by the house’s Medusa head, those who have never enjoyed the ostentation, and those who would wear anything that scream something. For those who have lived through the garish-florid excess of the ’90s (before the demise of Gianni Versace), this is very much a revisit. It certainly was for us.
We went to the Fendi store at Takashimaya Shopping Centre this afternoon to view the brand’s take on the Versace aesthetic (we skipped the Fendi looks at Versace as they are, to us, too Donatella Versace). Except for two mannequins flanking the entrance, there were no others in windows featuring the Fendace merchandise, nor any lightbox announcing its launch today. The two mannequins—female on one side and male on the other—were not togged to the nines, as we had expected, just simple pieces you’d have missed if you, walking pass, did not pay attention to the dummies’ attire. There were stanchions and rope outside, but a queue had not formed. We walked straight inside.
A beaming sales staff came to ask if we needed any assistance. The only Fendace merchandise we could identify were the bags, so we asked her if the full collection was in store. “Is there anything you want?” She sounded eager to help. Not specifically, we want to see the pieces first before we decide. “Actually,” she continued with a hint of regret, “most of the items are sold out.” We were taken aback. She then showed us a rack the width of a large armoire: Only three items were hung there. “Is there anything you want? Do you have a picture?” We were really surprised they were this low on the Fendace stocks, this soon. “We brought in very few pieces each—one or two.” Why is that so? Is it because our market is too small? “Yes,” she agreed with a smile. “We think the prints may not do so well here. Our buyers feel they will do better in China.”
Not long after the Fendace show in Milan last September, the hashtag #Fendace was followed by 80 million Chinese on Weibo, according to Chinese media reports. In a Jing Daily (精奢商业观察) editorial, it was noted that netizens were divided when it came to how appealing the high-high coupling was: “Some believed it was simply a marketing stunt and even found them “ugly,” yet others saw them as great value.” China is a huge market, even if there are more of those who find Fendace unattractive, those who think not would still be a larger number than any sum here. The sales staff added, as if sensing our skepticism, “it is also popular with the Chinese (residing) here.”
If the proclaimed sell-out is based on the “very few pieces” availed to the store, it would be an exaggeration to say that the collection was met with great success here. But with so little to see merely four hours after the store opened, it was perhaps good optics for Fendi and Versace. “Sold out” is the best marketing strategy and catch phrase. We were also told that there was a private session for VIP customers to pick their Fendace; we were, naturally, not privy to that. Without much on offer, the salesgirl tried to interest us in the few bags left on the shelf, including a SGD4,850 Baguette in the printed silk designed for the collection (and for the bag’s braided handle), although we were intrigued by the much smaller Mini Sunshine Shopper. When we did not seem keen in either, she told us there were some scrunchies we could look at. Presumably we appeared to have only SGD375 to spend.
Tried as we did, it was hard to distinguish between Fendi and Versace in the products. Perhaps, that’s the whole idea: to look indistinguishable. However new and fresh the pairing of luxury labels, the melding of two high-end brands has its precedence: the Chinese knock-off market. In the heydays of affordable bootlegs, to appear without outright copying, some producers of pirated goods bring together unlikely names and aesthetics to blur the lines, so to speak. Fendace, to us, had that spirit, but now the smudging of aesthetical borders is legit and blessed with the finesse of Italian craftsmanship. But does it make Fendace really covetable now matter how gaudy it looks? Or is Fendace really too hot to be anything but?
Fendace is launched today. Most items are sold out. Good luck. Photos: Chin Boh Kay. Illustrations: Just So