Rihanna does not need to mimick no runway look. She can, as we have been repeatedly told, wear anything she wants, however she desires, modest or not—mostly not
Rihanna, out for the night, scantily clad, again. Photo: Backgrid
In the duration of her internationally-viewed-and-followed pregnancy, Robyn Rihanna Fenty has exposed more of her body than the average expectant woman. But Ms Fenty, as we have been made aware, is not an average woman or mother-to-be. So whatever she has worn (or not) isn’t standard either, or maternity wear. Her visible stomach is the focal point of most of her outfits, from the first trimester to the present. The outers, if worn, do not provide cover either. Even if you follow the growth of her baby bump, it may not mean it grows on you. Not many women are comfortable putting their enceinte body in near-full display. Ms Fenty has not only been at ease; she has been eager too. And that, for many COVID-era societies of the West, is admirable, if not exactly imitable.
Such as the above look she adopted two days ago when she went out with A$AP Rocky to have dinner at their favourite restaurant, Giorgio Baldi, in Santa Monica. On social media, so many said she looked “wonderful” or “beautiful”, but no one said they wanted to dress like her. At a glance, it should have been an immediately recognisable ensemble, but Ms Fenty has taken considerable liberties with it and a double take would possibly be necessary to identify the brand. She would not wear something as it was intended (to begin with, she picked regular RTW pieces, nothing, as she vowed, from the “maternity aisle”). So this Miu Miu two-piece, part of the current spring/summer collection that is much loved, was given a Rihanna remake (she is, after all, a fashion designer!): The skirt was lobbed off to shorten it. And she dispensed with Miu Miu inner wear for—presumably—her own Fenty undies. The genius here is making Miu Miu as un-Miu Miu as possible.
Adut Akech on the runway in the same Miu Miu outfit for spring/summer 2022. Photo: Gorurway
Media reports were all raves and more raves: “Rihanna Bra & Skirt Set… Deserves All The Fire Emojis”, “Stuns In See-Through Set”, and our favourite—from Vogue—“One For The Record Books”. Some choice words excited journalists used included “glamorous”, “inspiring”, “incredible”, “style-forward”, “effortless”. The beauty of all this worship is that the goddess is, fashion-wise, faultless. Even if there was discernible wardrobe malfunction. Fans and journalists alike noticed her body glitter, her tattoos, even the linea nigra, but no one mentioned one exposure: In some photographs of her in the silvery crystal mesh top (and matching customised-to-be-mini skirt), part of her left nipple could be seen above the top edge of her brassiere that appeared to have slipped down on that side (it isn’t known why her bra was so loose). Or was that insouciant slide part of what Vogue euphemistically called the “risqué look”?
Just because the Miu Miu set appeared fetching on the model (in this case, Adut Akech), on the runway, it does not automatically mean the outfit would look good on the rest of us. Ms Fenty is, of course, a determined woman. Not to be told what maternity clothes are, or not, she is happy to break all rules (is there any rule in her rule book?) and go the opposite way by not covering a—not just the—large part of her body. It is possible that she was emboldened by the frequent rhapsodising of the press and social media. The more she revealed, the more she was lauded and encouraged. The reciprocal flaunts even gained her a Vogue cover. There was really no need to hold back. It is said that Rihanna’s pregnancy is important to expectant women—she empowers them, to the extent that she needs to be immortalised with a marble statue of her pregnant self sitting in the Metropolitan Museum of New York, among priceless antiquities of stone. If any pregnancy can be this powerful—and political?—and public, it would be Rihanna’s.