As calculated moves go, Jennifer Lopez taking to the Versace runway could be one of the most unforgettable sashays in catwalk history. Can the brand Gianni left behind only make news by pulling such stunts?
By now you would have seen Jennifer Lopez in that dress, based on the one she wore in 2000 for the Grammy Awards. Such a closing high it was for the Versace spring/summer 2020 presentation that every news report on that show began with how “stunning” Ms Lopez looks (with some dedicating the full report on the single gown). If you thought that the original “jungle dress”, as it became known or as Donatella herself calls it, was a daring piece of dress-making, then the latest would confirm that anything is possible with pieces of fabrics for as long as you have Hollywood Fashion Tape.
In a video interview with vogue.com later, Ms Lopez admitted that back in 2000, “it was all taped down”. Twenty years after, the new take on that dress appears to require even more securing by clear, double-sided adhesive. The first may have been, as the singer said, “cut up to here and cut down to there”, it did, as we look back, appear somewhat modest, especially if the wearer was not taking huge strides, and wind, natural or machine-generated, was not an issue. The dress had sleeves (long!), and even when the back was partially exposed, showed skin to the extend that, by then or six years after Janet Jackson’s infamous “wardrobe malfunction”, was not shockingly daring. Understandable, therefore, why Ms Lopez does not think, as she stated in the interview, that the dress “was all that risqué”.
Just as JLo has a thing for green dresses that leave little to the imagination (remember the Oct 2018 InStyle spread which showed that nothing comes between her and the Valentino one-side-unseamed column?), Donatella Versace has a weakness for the finale surprise. She pulled one off during the spring/summer 2018 show, when five of “Gianni’s Girls”, aka supermodels of 1990s, appeared, also together with the designer herself, to take the end-of-show bow. Ms Versace is possibly one of the most connected fashion designers of her generation and she knows how to use her powerful/influential/attractive friends to full marketing advantage. Appearing side by side with JLo, the optics is one of a girl-club, girl-strong moment. Or, as both women said in unison to the camera for all visitors to vogue.com to hear and approve, and applaud, “women’s power”.
To us, the publicity coup is overpowering as it overshadows what is a strong Versace collection, even the strongest to date under Donatella Versace’s watch. Apart from her usual amped-up sexiness, the collection shows what a Versace customer might wear when not on the red carpet: power suits and power dresses (some recalling her attempt at reviving the Versus line), compelling shirt-under-bustier-dress combos, outers with not-quite-Donatella leg-o-mutton sleeves (there’s even a khaki trench!), and sleeveless tops with padded shoulders that won’t be lost on those with a taste for Balmain minus the fierce Glamazon posturing.
Ms Versace, like her brother, has always been unafraid of colour—the collection is not short of bright shots, such as chartreuse, orange, and pink; their intensity only tempered by a generous serving of black. Apart from the solids, the forest/garden-verdant print that made the last dress, appeared in other forms too, affirming that it could be the pattern (“prints charming”?) of next spring. We saw similar at Christopher Kane (LFW), and, at the time of this writing, witness more at Dolce & Gabbana. But it would be Versace’s foliage-dense that the world will remember. If not, there’s always Google Image, its creation in 2000 attributed to the “original jungle dress”, searched too often.
Interestingly, Amber Valletta, who first modelled that dress to close the Versace spring/summer 2000 show, is back on the brand’s runway, but this time, in a black, bust-cupped gown that is reminiscent of Elizabeth Hurley’s safety pin dress, minus, thankfully, the safety pins. Just as noteworthy is that Donatella Versace appeared with Jennifer Lopez in a LBD that brings to mind the dress worn by another woman associated with Gianni: the late Princess Diana, who wore a similar cocktail dress to the premiere of the Ron Howard film Apollo 13 in London in 1995. As it’s often said, and true of fashion and, perhaps, more so, Versace, it always comes back.