A three-sided figure—even right-side up—and repeated just recalls those of a very famous Italian brand
Uma Wang’s pantsuit vs Prada’s Symbole jacquard tote. Photos: Uma Wang and Prada respectively
Uma Wang (王汁) is a popular designer in China. And the Chinese are especially proud that she is one of the few among the dalu (大陆 or mainland) designers to show abroad with anomalous regularity. Recently, she shared images of the digital presentation of her spring/summer 2023 collection, A Gaze into the Wilderness, during Paris Fashion Week. Among the Central Saint Martin alum’s usual oversized, drape-y styles, two outfits stood out, but not for their exceptional designs. There is a coat and a pantsuit and both are in fabrics with a orderly repeated pattern that immediately brings to mind the jacquard used in Prada’s Symbole bags.
Prada is, in fact, rather late in the monogram-style pattern in place of all-over logos or logotype on clothing and accessories. Based on its familiar inverted triangle that frames its logo, the Symbole was introduced this summer, with a campaign in our part of the world that featured Korean stars Kim Min-ju, Bona, and others. Prada describes the pattern of the Symbole as “modernist”. And it is even minimalist, if seen with the more recent monograms, such as Burberry’s interlocking TB, introduced in 2018 (what would its fate be now, since its introducer Riccardo Tisci is no longer with the house isn’t clear) or Versace’s Le Greca, launched last year.
Modernist might also be how Ms Wang sees her rows and rows of triangles. If you look at the dominant black ones, they are isosceles, closed-plane polygons with sharp vertexes, just like Prada’s, but placed right-side up and are more condensed. The linear arrangement is similar to the Italian brand’s as well—the black alternating with the lighter-coloured, with a sum effect like the board used for the triangular chess (yes, there is such a game, invented in 1986 by American lawyer George R. Dekle Sr). In that scheme, even Ms Wang’s chromatic choice is similar to Prada’s: black and khaki. It is possible that she picked her fabric (known to be from Italy) before Prada launched the Symbole bags, but it is even likelier that the latter went into development much earlier. Since only too looks were created with the said fabric, would it have been better for Uma Wang to omit both so as to avoid being compared to Prada’s increasingly popular Symbole?