If there are two-way bags, there are two-way gloves too. So who’s leading the way?
At the Fendi resort 2023 presentation in New York earlier this month, one model stole the show, even when a bag that Fendi launched 25 years ago—the Baguette—was meant to be the bigger star. The oblong bag with the recognisable flap (and the logo-ed buckle in the middle, near the bottom) was, to be certain, saluted, and in more than one interpretation. The Baguette, in fact, didn’t merely come in other variations, such as the waist bag, trinkets, and even hand warmers; it was sited on articles many would not consider traditional placement, and one of them was on gloves.
If we remember correctly, it was Prada that first fastened what they call a “pouch” on their gloves—on the dorsal side of the hand—for the autumn/winter 2021 season. These were in the shape of the brand’s inverted triangle logo and were, in fact, functional. A zip at the top secured it’s content. Given their size, they could hold coins. Each nifty pouch sported the enamel Prada logo, and the colour and fabric matched the S$1,770-per-pair gloves. At the time, these were considered by many to be “cute”. Now, Fendi has followed suit, placing their considerably shrunken and floppier Baguette on gloves. But rather than leather, their gloves are in knit and their pouches are in nylon, and in the shape of a rectangle that could fit credit cards.
That Fendi needed to create new product categories is understandable. These days, both of these Italian fashion powerhouses are veritable department stores, and they would require a wide assortment of merchandise to fill their massive spaces. And accessories sell, even better than garments. But in widening their offerings, could there be a sacrifice of originality? Could the ability to emulate mean the temptation to submit? Has our world really become one of mono-culture? Or, has the fashion industry become like the tech industry—an open-source community? Ponder over.
Photos: Fendi and Prada respectively