The Imaginarium of Louis Vuitton

Unfolded between the Brutalist buildings of the Salk Institute, and backgrounded by the setting sun on the horizon of the Pacific Ocean. Other-planetary? The clothes sure are

Chanel’s cruise collection, shown in Monte Carlo last week, marked the return of the inter-season line often staged in far-flung places. But there was nothing to say about that collection. Fast forward to yesterday evening (our time), Louis Vuitton’s cruise is a journey to some unknown desert planet (or known—how about Mandalore or Arvala-7 or Tatooine, for Star Wars nerds?) although the runway was winged with the Brutalist buildings of Louis Kahn’s Salk Institute for Biological Studies in Southern California. Against the stark setting with nary a plant in sight, the models are attired as if filming a scene of some movie not set on this earth or surrounded by earthly tech. Inter-galactic vagabonds, mercenaries, resistance fighters, or even Jedis? Some people say they saw Amazonians, but we doubt Nicolas Ghesquière, who, although reportedly used the word “goddess” in relation to this collection, was thinking of Paradise Island, home of the Princes of the Amazons, aka Diana. Yet, the Bracelet(s) of Submission made their visible appearance!

These are not clothes that many would immediately call “pretty”. There are enough pretty clothes in this world—a surfeit, in fact. What Mr Ghesquière has proposed do not even look like they are destined for a holiday wardrobe (let alone be considered for a cruise). Battle-ready? Or for climate change? Who knows? This isn’t Mr Ghesquière writing the story of LV in plain hand. There is exaggeration beyond the paniers of the current spring/summer season (Gemma Chan wore one of them at the Met Gala, looking somewhat mis-clad and misplaced). Mr Ghesquière has offered aesthetically-challenging clothes before, but this time, they are extreme to the point of being, strange, otherworldly. As one stylist said to us, many women here who buy French RTW are not into such looks as they do not make them look feminine, like Dior does. And the very straight shoulders of the shell tops, for example: “too aggressive”.

The clothes are not hostile-seeming in a way military fatigues (or the mish-mash of them worn on the Mad Max movies) could be. The show opened and closed with three silhouette-curious looks that seem to serve as eye-opening parentheses, within which the more accessible but no less convention-defying outfits arouse the imagination. The first three, with their tented shapes and floor length, are no gowns we imagine any film star would wear to a movie premiere or on a red carpet. But they are no doubt gowns, as well as some ceremonial robes of an unknown religious order. Glamour is not the intended effect. The last three have even less spots to be seen in: the considerable tops with what could be some flying saucer landed on the shoulders, under which a possible geomagnetic storm raged, would be for parties where the stranger you dress among strangers, the better.

Discounting those, the collection has a discernible wearability about them, but probably just so. The above-mentioned shell tops, cropped (to better fit the squares of the Instagram grit, assuming you still crop your photos to that shape?) and looking anything but sexy. A few are composed of ‘scales’, (some matte, some irridescent. The idea appear as trims too), and are draped with scarves or throw-ons (some with one sleeve, worn), all a tad ancien. The are also the X-shaped tops and those dresses and skirts made of strands of assorted shapes that gives off something gladiatorial. To augment the fierceness of the looks, there is a suggestion of something vaguely dominatrix: The grommeted leather belt worn on the bare skin of exposed stomachs (and the loose end hanging between legs) hint at something that might be construed as S&M. It’s hard to pin the looks or decode them, and therein lies the frustration and the thrill (or, perhaps, just a tingle). We are of two minds about the collection: Not (yet) sure if we like it or do not. The dilemma stems from the unnecessary showiness of the designs (or over-designs?). As one headline went, “Eve Jobs Holds Court in Thong Sandals, Bralette and Skirt at Louis Vuitton’s Cruise 2023 Fashion Show”. These days, you don’t hit the scene, you make it. That is annoying.

Screen shot (top) and photos: Louis Vuitton

3 thoughts on “The Imaginarium of Louis Vuitton

  1. Pingback: Gucci’s Cosmos Not | Style On The Dot

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  3. Pingback: Louis Vuitton Men’s, Post-Virgil Abloh | Style On The Dot

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