And it’s 18-posts long!
It took Gucci 18 IG squares to announce that from now, the brand will show two collections a year. But you may not immediately see that in what was posted. Concise, it’s been said, is the way to go on IG, but Gucci, which earned parent company Kering US$10.7 billion of the latter’s $17.5 billion in revenue for 2019, has chosen to move with the opposite. The singular message comprises 6 textual posts each in English and Italian, separated by an illustration of a winged heart-shape with a single eye, captioned with “Notes from the Silence”. It is hard enough to read just one. To do all six requires some vestige of fortitude. Social entries these are not; pompous prose they are.
We love to read and we have no objection to lengths, but Gucci’s journal-like entries were a sharp contrast to prevalent social media communication: they were ponderous. And, frankly, pretentious. And they were made more unreadable by a font that seemed to be the effect of a faulty typewriter type head. Each post is titled, and what headers! Example: “The Sacred Power of Producing Reverberations”. How’s that for a stumper? Or are we missing something audio, something aural? As it turned out, “here comes the desire to baptise our new encounters by naming them after a language that has marvelously ancient roots: classical music language”.
Since it was written in the first person, we assumed the writer to be Alessandro Michele (there’s a signature at every end, but we are not sure it belongs to the designer). Each post is not only dated, the place where it was written identified—unsurprisingly it is Rome. Which led us to suspect that the verbose posts were penned in Italian and then translated by an overzealous PR appointee. To better reflect the superfluous that determines Mr Michele’s Gucci?
Reworking the fashion calendar is what many brands are now doing, or considering. Mr Michele proposed with a baroque flourish: “I will abandon the worn-out ritual of seasonalities and shows to regain a new cadence, closer to my expressive call,” he wrote. “And beyond, I would like to leave behind the paraphernalia of leitmotifs that colonized our prior worlds… I believe that we can build our tomorrow also starting from a renewed capacity of denomination… It’s a foundational act, audacious but necessary, that aims at building a new creative universe. A universe that essentialises itself in the subtraction of events and that oxygenates through the multiplication of senses…”
Yes—what was that?!