Can the little red dot stand shoulder to shoulder with the little black dress? A native islander and friends look at fashion (and such) in Singapore, and, occasionally, among her neighbours, and a little further afield
The latest iteration of the Comme des Garçons X Salomon collaborationis abeautifully simple silhouette
As if to mock the purposely-filthy ‘Paris’ sneaker launched by Balenciaga last week, Comme des Garçons released a very pristine version of a Salomon’s trail-runner, the SR90. The ongoing pairing (second, in fact) between the French sports/outdoor brand has yielded a surprisingly clean silhouette, sans CDG’s usual eye-opening redefining of what is considered acceptable for sneakers (SS19’s Nike Air Presto Foot Tent!) and still appeal to sneakerheads. Of course, no one seriously puts on a pair of CDG—or co-branded—kicks for sporting pursuits, so whatever tweaks or add-ons they introduce to a sneaker, fans will lap them up because they won’t look standard-issue. But, with this Salomon, CDG is suggesting that looking near-OG is on the right side of edginess too.
We are not a major fan of all-white sneakers (or, for that matter, all-black). Regular SOTD readers would know that. But the Comme Des Garçons X Salomon SR90’s whiteness is not nothingness, or too much a part of a school uniform. A trail sneaker that looks like a retro runner, the SR90 sports a contemporary sense of minimalism that is more akin to what might be offered at Jil Sander. But there is nothing basic about this shoe. Salomon’s much appreciated tech, the Contagrip sole (mixed compound for different terrains and better traction) and SensiFit mid-sole (for customised and secure fit), are there. So is a water-repellent synthetic upper. The sum: a handsome sneaker, if not to go with a set of tux, will definitely pair well with anything less pristine and neutral from CDG’s main line.
Rating: 4 out of 5.
Comme des Garçons X Solomon SR90 sneakers, SGD450, are available in black or white at Comme Des Garçons and DSMS. Photo: Comme des Garçons/Solomon
Comme des Garçons shows a colourful collection for the modern nomad. Seriously
Is this Rei Kawakubo being cheeky? In the time of a pandemic and she creates a collection for Comme des Garçons Homme Plus called Nomad? Is it a good time to be itinerant? Or does Ms Kawakubo truly have a sense of humour, contrary to what we are led to believe? With borders shut to vaccine-rejecters, not many nations welcome those who want to come and go freely. Yet, Ms Kawaklubo wants to evoke the happy-go-lucky sartorial inclination of the wayfaring. To be sure, this is not gypsy-nomadic although the clothes has a smidgen of gypsy air about them. And joyfulness. Is Ms Kawakubo suggesting that while we may not be able to roam in the physical world, we can go awandering in our imagination, and certainly in the world wide web? Do we still remember that?
The show is held in Tokyo, in the CDG headquarters, known to be a serious office and studio space. It’s an early reveal, at least much earlier than it would be if CDG kept to the Paris calendar. The barely-discernible set of what looks like patchwork of recycled boards could have been borrowed from Dover Street Market. According to Japanese media, models walk in a dark space and halts under a single spotlight. To better offer no hint as to where the runway is sited? CDG is not a label that stages flashy shows. Even in Paris, their presentations are mostly modest affairs. Even now, it’s hard to tell that Ms Kawakubo and her team have stayed put in Tokyo.
This is a modest 32-look collection, built almost entirely on tailoring. Not bashful, however, are the suiting, a category that was expected to come back years ago, even before the arrival of COVID, and clearly not what men’s haute couture is keen to advance, with, hitherto, unclear take-up rate. Ms Kawakubo has a far less buttoned-up approach to tailoring although often times they look like pieces from long forgotten times. It’s the tactile quality, whether in the fabrics or the finishings, that attracts. And more of that can be seen again this season: coats of various lengths delightfully making layering an exercise in exploring textures.
We do wish that the models would remove their outers to show what is worn beneath. Are those really dresses (with cowlnecks, no less!)? Are those shirts or tunics? Or neither? Is the suit crumpled or is that the fabric? Although the collection is based on dark colours, many are delightfully paired with a shock of colour. Whatever her former proclamations about black and the obligations towards it, Ms Kawakubo is a cunning colourist too. Who’d guess that for autumn/winter, she’d even allow the colour-blocking of four contrasting brights in one garment! Are nomads usually this colour-loving or aware of colour relationships? Or, is Rei Kawakubo truly in a wandering mood, her mind not a permanent abode for even her favourite black?
The soccer pitch, that is! Trust Comme des Garcons to think of that
By Shu Xie
Just as you thought that heels are facing retirement, Comme des Garçons has collaborated with Nike to release a pair of football boots—of all shoes—with, yes, heels! Nope, these are nothing like Balenciaga’s spindly-heeled Crocs. Far from them. Based on a silhouette guys would be familiar with, the Nike Premier, these kicks now look like they have been taken out of a Victorian shoe cabinet for airing! No fellow today, I suspect, will tell you these are sexy (unless he is into cleat and heel!). Yet, there is something intriguingly appealing amount them that I can’t quite describe. The blockish heels won’t be the object of some people’s fetish or the instrument of crime, but they could help elevate a footballer to have a better on-field view!
Women have probably played football for as long as a ball can be kicked around. But as competitive sport for lasses, it took form only in the 18th century. These days, women’s football leagues and matches would be considered progress for the equity of sports and the popularity of the game attests to how far women have come with sporting pursuits. Would Comme des Garçons X Nike Premier, then, be considered having a go at this admirable progress? If anything, CDG’s Rei Kawakubo has, through her work, shown that women need not be hindered by conventions and traditions, with heels or not.
Launched in Dover Street Market London early this week, the shoes are mostly sold out, proving that women do not consider the heeled, all-leather Premier anything but desirable fashion footwear. What’s interesting—though not surprising—is that these Premiers are attracting the interest of guys. One of them, told us, that the largest size is too small. Another, for whom the heel is the immediate draw, said they are, “a bit too masculine”. It is rather surprising that CDG didn’t offer them as non-binary footwear, with larger sizes. Or is that Nike’s conservative decision?
According to DSM, the shoes came about “at the suggestion” of Ms Kawakubo. Nike, always the willing CDG partner, then “updated the classic Premier football boot to feature a built-in heel”. The Premier, launched in 2013, is itself an improved version of 1992’s Tiempo Premier, then already considered to look “timeless”. Now, even rather ungulated, the heeled version looks set to be grailed. It is not certain if Rei Kawakubo is a football fan, but I think, with her Premier she has scored a gold. Sure, no footballer will execute a scissor kick in these, but she could be watched and cheered on by those wearing them, on the bleachers.
Comme des Garçons x Nike Premier, SGD990, is available in limited quantities at DSMS and CDG. By the time you read this, they could be sold out. Product shots: CDG. Photo: CDGfan. Photo illustration: Just So
If putting one’s feet on a table during meal times is rude, is placing one’s shoes alongside food any better?
This image appeared on our Instagram page, and it shocked us. It really did. That it came from Club 21 was even more disturbing. We thought it shameful, so inconsistent with what many of us were brought up to believe is acceptable. The oldest multi-label store here left standing has, a few hours ago, shared this on their official IG account, not in some remote corner of the Internet. Originally posted by Two Men Bagel House last week, it shows unambiguously a pair of plated (!) Comme des Garçons X Converse sneakers, placed next to two bowls of barely finished dry prawn noodles (虾面). It is possible that the shoes are unworn (and presumably clean), but is it still perfectly alright for them to be on a table that has, by practice and custom, no place for footwear? This is likely photographed in a hawker centre (or foodcourt), but just because it’s not in a setting that equals that of a restaurant does not mean liberties can be taken without thinking. To make it worse, Club 21 wrote in the comment: “simply delicious”! Have we really become so culturally ignorant and insensitive?
Popular culture, TikTok buffoonery, and the general do-and-say-as-you-please that social media affords may allow marketers to imagine that they have the green light to ignore table manners, but that does not mean marketing with a nod to common etiquette is no longer important. Or, worth considering in the quest for eye-catching photos or, worse, talking points. We risk sounding prudish and custom-bound, but in a time when brands and politicians are knocking, for example, the traditional use of chopsticks, should there be more perplexing ignorance regarding table-top practices? It is easy to dismiss the Club 21 post as the work of benighted Millennials (or Gen-Zers?), but that does not allow the image to be more acceptable. We could not unsee what we saw. That this did not come from some ignorant Western brand makes Club 21’s faux pas (and that of the two men they sponsored) all the more difficult to understand and accept. We are unaware of anywhere in Asia where shoes of any sort on a table used for meals, whether in one’s home or not, is decent or tolerable. Half of smiley-hearts do not take away the fact that the very act is crude and—ask any parent—rude.
The French sports equipment manufacturer Salomon produces footwear for adventurists, such as skiers and hikers. In fact, the company started in 1947 as maker of metal blades for skis and then later their bindings. Their shoes and boots (which was their first footwear, appeared only in 1979) tend to bear technical excellence than fashion flair. So when we saw these, made in collaboration with Comme des Garçons, we were rather taken aback. Who’d have guessed that mud-ready Salomon kicks would look this befitting of activities not involving a trail? Or that CDG would consider other sports shoe brand not marked out by a Swoosh? Or is this merely in line with the still-strong ‘gorpcore’ trend?
As many sports/adventure labels up their game by collaborations with designers—edgy ones, especially (not Ralph Lauren and ilk), Salomon is no exception. This is, in fact, their second season pairing with CDG. Others include Japanese outdoor brand And Wander and Persian-German designer Boris Bidjan Saberi. With CDG, it’s not just a colour makeover for an existing style. Last season’s venture, featuring Salomon’s RX3.0 models, saw tweaking in the form of exaggerating the silhouettes, such as the platform sole. Or recreating something new such as the Mary Jane style. The follow-up this time (two styles are released), is this fashion-focused version of the Salomon S/Lab Cross, with the (unfortunately) requisite CDG branding on the side.
This is essentially a trail shoe that offers “protection on the muddiest, most technical terrain” typical of the Cross series, although it is hard to imagine a pair this good-looking muddied. The original S/Lab Cross was conceived together with the Norwegian sky runner Stian Angermund who was inspired by the Aurora Borealis of his homeland. Like most of styles in the Cross line, the CDG version is equipped with Salomon’s signature Contagrip rubber sole and Quicklace system. The knit ankle gaiter, however, now comes in striking black and white houndstooth. Definitely for pairing with a black, asymmetric, ankle-length CDG skirt. Still planning to hike up some mountain?
Comme des Garçons X Salomon Cross (Mixed), SGD520, comes in women’s sizing only andis available at DSMS. Product photo: CDG
The latest iteration of the Comme des Garçons X Gucci bag is uncharacteristicallysimple
The bag’s released was teased on Gucci’s Instagram page and on the brand’s new e-store Vault. On the webpage, the illustration of the latest iteration of the Comme des Garçons X Gucci tote, simply called the Shopper, sported flashing stripes in yellow, red, green and purple as mock-up of the print/pattern to come. We had expected something very much in the vein of what Gucci has been doing: flowery. But, as it turns out, it is something far more in common with Balenciaga’s Paper Bag tote. It is in plain black and could look somewhat sinister. The recognisable red-and-green Gucci Web stripe runs vertically down the middle of the bag, obscuring the centre portion of the Comme des Garçons logotype, printed in white. It is a smart-looking bag that bears more of the CDG aesthetic than Gucci. But, according to CDG’s own description, “the limited-edition tote represents the perfect embodiment of two mutually distinctive aesthetics driven by the desire to explore innovative visions”.
To us, the placement of the striped strap requires no nerve-wrecking exercise in design. The CDG bag itself is one from the special edition that was created for the 2017 Tokyo pop-up event called Black Market. The retail event, which was later brought to London, featured products and collaborations (no, Gucci is not in the picture for this one) that are only available at the Black Market. One of them is this black shopper, itself an update of the original that was first introduced a few years back, in the exact light brown typical of shopping bag, but totally encased in PVC. It was rather typical of CDG to use materials so associated low-cost merchandise and elevate them to something altogether more deluxe. The style was so popular that it was later also extended to the Comme des Garçons SHIRT line, this time as a north-south tote.
Left to right: the three versions of the same tote, 2018, 2019, and 2021
The first Comme des Garçons X Gucci shopper appeared in 2018, as part of the year-end Friends and Comme des Garçons holiday collection. The tote took quite a few by surprise since it was not thought at the time that the two brands were a natural fit. But it was soon sold out. A year later, the collaboration was reprised. The form of the second bag remained the same, but this time the brown paper inner, behind the clear PVC shell, was printed in rows of floral motif that looked like pencil drawing. It is also rather evocative of vintage wallpaper. Now, the bag looked like it did finally bagged half of some semblance of Gucci-ness.
According to the communication material of the collab, the latest black tote “closes the circle of this experimental process”. Does it mean that this is the last of the pairing? If you’ve missed the earlier two, do you need to rush off somewhere to get one? When we saw the new version previewed, so to speak, on Vault, we thought this would not be available to those who are not living in one of the 25 countries that Vault ships to. But it is available here at the CDG store, as well as DSMS. Question is, at S$820 a pop, would it be too much to pay? When the first CDG solo-branded plastic-wrapped shopper was introduced half a decade ago, it could be had for S$200+. Even last year’s version, a collab with Futura, went for S$580. Have prices all round really shot up? Or are we just being budget conscious in times of a still-ranging pandemic?
Comme des Garcons X Gucci shopper, SGD820, is now available at Comme des Garcons and DSMS. Photos: Comme des Garcons
Gucci and Comme des Garçons are teaming up once more. Who’s thrilled?
They are back in the act. The on/off union was just teased on Gucci’s Instagram Stories, with the announcement that the Kering super brand is pairing with indie Comme des Garçons on a tote bag. This will be available exclusively on Gucci’s dedicated online store, Vault, where its merchandise is presently not available to the shoppers in a massive part of Asia, except—unsurprisingly—Japan. A collaboration with a Japanese brand, therefore, makes sense. In fact, Gucci has engaged Japanese customers rather actively even when the country was under a state of emergency due to COVID-19 . In August, they opened a pop-up in Kyoto, sited in a historical house. Then, there was the final Asian stop of the exhibition Gucci Garden Archetypes (after Hong Kong and Shanghai) in Tokyo. And later this month, the capital’s first Gucci restaurant Gucci Osteria da Massimo Bottura Tokyo is slated to open on the 28th. The makers of the Marmont has been busy in the Land of the Rising Sun.
And now the tote. This is not the first time that CDG is collaborating with Gucci on what’s essentially a shopping bag. Back in 2018, as part of the year-end Friends and Comme des Garçons holiday collection, the two brands released an east-west tote based on the CDG plastic-encased paper bag that had enthralled fans of the brand, and was soon very much copied (even compatriot Beams later did a version with Disney!). Gucci’s part of the coupling is the house’s red and green stripes, applied vertical in the middle of the bag, which quickly sold out. Unsurprising then that there is a repeat, this time available through Gucci’s own (online) retail outlet. It is not not known yet what graphic the bag would sport this time, other that the stripes (the flashing illustration on IG, we believe, is just a mock-up). This collaboration has, in fact, been rather baffling to us. What is the likelihood that a serious/enthusiastic CDG follower would at the same time be just as mad about Gucci to want something—anything—with the name or logo of the two together in one item? Or, are we living in truly not-quite-discerning times?
Gucci X Comme des Garçons bag will be available at The Vault from 15 Oct 2021.Screen grab: Gucci/Instagram
ButComme des Garçons Shirt’s latest collection may not necessarily let you in on the joke
It is not just a smile; it is clearly a laughter. And not just one, but a sea of them. Chinese artist Yue Minjun’s (岳敏君) xiaolian (笑脸, literally laughing face in Mandarin) is probably one of the most recognised icons to emerge from the Chinese art world of the post-Open Door Policy era. Now, Comme des Garçons Shirt has collaborated with the Beijing-based painter, featuring the distinctive pink laughing heads in a small capsule that comprises blazers, shirts, tees, pullovers, pants, shorts, totes, and sneakers, all in designs far less contorted than the depicted countenances. We may be in a time that deserves a good laugh, and we may wish to be seen expressing mirth, but how much should that be worn on our body?
Yue Minjun’s famous faces are those of his own. These were painted before ‘selfie’ was a nomenclature. By his admission, the choice of depicting his own laughter under a receding hairline and closed eyes was inspired by the late artist, compatriot Geng Jianyi (耿建翌), whose paintings of laughing faces, such as 第二状态 (dier zhuangtai or The Second State) Mr Yue would later say “were not quite right, in which meaning had been inverted, and expressions turned upside down.” It is hard to say if Mr Yue’s own cackling expression is one of pleasure or derision. Some of his earliest xiaolians were featured in the painting 枪决 (qiangjue or Execution). which, when sold in 2007 in London’s Sotheby for USD5.9 million, was the most expensive work by a Chinese contemporary artist. The laughing faces seemed to be mocking—and somewhat remorselessly—while being fired at (rifles were not painted in).
The faces picked by CDG are far more jubilant and appear to have less political reference. But the signature pink-skin countenances still fill the entire surface of the fabric (like they would have on canvas). And the laughter, still untraceable to a cause, hits you upon first viewing. This is not the first time that CDG has collaborated with a Chinese artist of immense standing. Back in 2009, when the CDG Hong Kong store on On Lan Street moved to its current location on Ice House Street, commemorative T-shirts were created with the controversial Ai Weiwei. The images then, too, seemed apolitical. But we’ll never really know, such as with Yue Minjun’s xiaolians now, the garment creator’s true emotions when placing them.
Comme des Garçons Shirt X Yue Minjun capsule is now available at CDG, Hilton Gallery and DSMS. Product photos: Comme des Garçons Shirt/DSM. Collage: Just So
Comme des Garçons sub-brand Play has released a new series of their popular Converse collaboration. It’s destined to sell out
Has Comme des Garçons Play co-created another winner? The CDG sub-brand—with that unmistakable heart logo, distinguished by a blunt chin—has been a hit since its inception in 2002. Their new kicks with Converse (a partnership that has spanned more than a decade) is likely going to be another sell-out at launch—this morning. For the latest, Play has worked its cheery logo into the side of the Jack Purcell, as if a pair of Hello Kitty-like mouthlessness is peeping from behind a wall. There is that bold line on the mid-sole that seems to underscore its sneaky appearance. The current iteration seems to us, the most fun since the born-in-Poland logo debuted on the 86-year-old Jack Purcell in 2011. Yep, a neat ten years ago.
CDG die-hard fans have generally ignored the “entry-level” Play, which to some is disagreeably commercial (there are even clothes for kids!), and usually not adopted by those who could pull CDG off with panache. The Play line has not changed much within its various product categories, T-shirts being perennial best-sellers. But the Converse kicks have the rare quality of being both cute and cool at the same time. In 2019, Sneaker Freaker magazine calls the Chuck Taylor version “the decade’s most influential sneaker”. Despite its obvious charm, the sneakers, also seen in the Chuck 70, have been resisted by some sneaker fans, such as SOTD contributor Shu Xie, who told us that she has not bought a pair for herself because the plain canvas sneakers “are reminiscent of school.” In addition, “most versions are in white (or off-white), which say to me, ‘nurse’!”
That would not be the reaction with the current release. The base colour of the still-cotton canvas kicks is now grey, a perfect tone and density for those find white too ‘nurse-y’ and black too harsh. The logos—three altogether (two on each side and one, dissected, on the back)—are big and bold, and available in black or the OG red. In addition, the silhouette of the Jack Purcell is closer to smart than anything by Vans, and far more flattering for feet than anything by Yeezy. To quote a particular cyborg, resistance, this time, is possibly futile.
Rating: 4 out of 5.
Comme des Garçons Play X Converse Jack Purcell sneakers, SGD220, are available from today at Comme des Garçons and DSMS. Product photos: Comme des Garçons Play. Collage: Just So
When Pharrell Williams wore pearls and not just a strand, but, as Coco Chanel preferred, “ropes and ropes” of them, many guys here thought him to be an advanced specimen of American culture. Mr Williams, a known heterosexual fashionista and a regular Chanel jacket wearer too, has not taken the Harry Styles route and worn a dress, but his penchant for jewellery is far more ardent than an average woman’s. Lest this becomes a binary gender issue, we should point out that the wearing of multi-strands of necklaces is not unique to Mr Williams. Mr Styles wears them too. It was prevalent among male hip-hop stars, going back to the ’70s, when rap was born, when Kurtis Blow, considered the first commercially successful rapper to have a record deal with a major label, wore strands of gold chains on the cover of his 1980 debut eponymous album. Since then, almost all hip-hop stars, from LL Cool J to Notorious B.I.G to Jay Z, have put multiple necklaces on their necks. But strands of pearls were slow to catch on.
And when they did, we didn’t think it’d be this fast. Here, social media posts of society chaps wearing a strand of pearls at various gatherings in the past few months were not signal enough of an impending trend since they are fashion types (“guru” for one of them, we were corrected), forward enough to not suggest anything extraordinary. But on one blistering day, on a barely-cool west-bound MRT train of the East-West line, we spotted a young fellow—not particularly spiffy—with a strand of white pearls set against the black crew-neck T-shirt he was wearing. The neatness of the row of pearls was broken by the colour-matched white cable of his earphones. He was not attired to augment the inherent elegance of the pearls. If not for the pearls, you wouldn’t give him a look. Two weeks later, a similar get-up was seen on a chap on an escalator in Bugis+. The pearls were, again, at odds with the fellow’s oversized Palace tee and Carhartt bum bag. But he seemed unconcerned with the jewellery and the skate aesthetic being as compatible as meat in a vegetarian meal.
Perhaps that’s the whole point of pearls these days: to not fit in. Surely they can be styled to bear street cred, just as much as they can be part of any guy’s tailored best. Just look at the pearl collection of Comme des Garçons, conceived with the 128-year-old Japanese house of Mikimoto (above) since last season. It could be discerned that Rei Kawakubo has introduced something punk and subversive into otherwise very conventional strands of pearls. CDG does not indicate which gender the jewellery is targeted at, but in the joint marketing campaigns by the two brands, male models wore the pearls, with one fellow sporting a double-strand over a tie and under a suit jacket with peaked lapels. The aesthetic base is still elegant, but the saltwater akoya pearls seemed to turn away from the conventional, like wildly patterned socks under pin-striped trouser legs. CDG, as we know, doesn’t really do anything vanilla. With a ‘classic’ material such as pearls, they’d want to introduce a counterpoint to the poshness. So there are the sterling silver hardware, such as chains (which are rather Virgil Abloh, even Yoon Ahn, and have been similarly employed at Maison Margiela), studs, and safety pins, all used as decorative trims, like in CDG’s RTW, but presently looking less fierce than they had been.
The circular pearl strand we have been seeing guys now wear could, therefore, be influenced by CDG. They are not long strands as in Pharrell Williams’s Chanel nor are they those made more masculine with black Tahitian pearls. These small off-white spheres circle the neck in a rather delicate fashion, like ruffs, but not quite twee as the latter. It’s been hard to design and market pearls to men. In 2002, Australian Olympic swimming star Ian Thorpe collaborated with compatriot brand Autore to create a high-profile line of neck and wrist wear featuring South Sea pearls—mostly just one bead apiece—for both men and women. Single pearl worn like a pendant might perhaps have been more acceptable back then, when David Beckham was known to be partial to one, or when Pierce Brosnan wore a solo bead on the cover of Italian Vanity Fair in 2005. It isn’t certain how Mr Thorpe’s pearls panned out, but some observers thought the line was premature. Few people now remember Mr Thorpe’s association with pearl jewellery. The line was eventually discontinued a few years later. Even the Olympian would not have guessed that men will graduated from one pearl to a whole strand.
Photo: (top) Zhao Xiangji and (product) Comme des Garçons
Comme des Garçonsintroduces the snake for its line of small leather goods, way earlierthan other brands
The Year of the Ox has yet to arrive, but that has not stopped Comme des Garçons from looking ahead, and letting the snake come to the fore, slithering across and into its range of wallets. We know, of course, that the small leather goods of Comme des Garçons Wallets does not follow the typical aesthetic of wallet design, nor release date/selling season. They march to their very own taiko beat. Putting the enigmatic snake before the mighty ox is, therefore, both marketing smarts and design freshness.
While the printed curves on the exterior of the leather wallets are clearly serpentine, Comme des Garçons does not give these wallets a name that is evocative of it that tempted Eve. Rather, the capsule is called Ruby Eye (even if in some of them, a pair). But these gleaming red eyes are nowhere found on the exterior of the wallets. They are hidden (snakes are great at hiding) within the wallets, some inside the coin pouch. The bulbous eyes look a tad sinister, and with the forked tongue sticking out, as if sensing the presence of a prey.
If we look at the Chinese Zodiac, we are told that those born in the Year of the Snake are creative, sophisticated and eloquent. Sometimes, even trendy. They are also affluent and materialistic. The Ruby Eye, does seem to fit the description of the typical snake man or woman. It’s creatively delineated, with different colours to suggest the many facets of the complex snake. Although just a snake on each wallet, open one of them, it appears you’ve revealed a total den! If you are an ophidiophile, you might wish to collect all the four styles, and arrange them on your dresser to get a nest.
Ruby Eye seems to be a progression from the earlier Black Rainbow collection, with a surface treatment that seems to be psychedelic snake skin. This came after the spongy Fat Tortoise! It appears that Comme des Garçons Wallets is having a good run with picks from the reptilian kingdom, without actually having to use exotic skins. Swell.
Rating: 4 out of 5.
Comme desGarçons‘Ruby Eyes’ wallets are available at Dover Street Market Singapore.Product photos: Comme des Garçons. Collage: Just So