Schoolgirl Sass

Dior’s fall 2022 is for the very young?

At the end of the latest Dior show, Maria Grazia Chiuri took her usual bow, wearing a varsity jacket of the Ewha Womans University (actual name). It confirmed what we were thinking while watching the livestream of the show staged in the 185-year-old private school: she is creating her own ‘campus chic’. This is, of course, nothing akin to what you’d see in the corridors of NUS, where fashion is secondary, but the xiaomeimei (小妹妹) vibe is unmistakable and the look-at-my-young-abdominal flaunt apparent. This is collegiate girliness lensed through the Dior studio, with the usual plethora of sheerness and a paucity of innovation. Liberal education in the company of rote designing for an increasing homogeneous sorority.

The show might be staged on the grounds of an institute of higher learning, but it seems to stop at the steps of virtuosity and brilliance. Or, as the British indie rock girlband Wet Leg sang out in the opening track of the show proper, 2019’s surprise hit Chaise Lounge: “I went to school and I got a degree. All my friends call it ‘the big D’.” While the song is deliciously irreverent and so incongruous to the do-your-best ethos of varsity pursuits, the clothes have less the cheek that one might expect to reflect those individuals inclined to provoke, if not challenge the status quo within the relative safety of academic walls. They lack the lyrical playfulness of the Wet Leg song; they are, at best, catchy, but vacuous.

There is, unsurprisingly, the undercurrent of feminism that is tagged to Ms Chiuri’s work for Dior, if not the past overtone. The 88-look presentation opened with a group of skateboarders—all girls—displaying their fancy footwork, with almost a machismo that seems to dispel any belief that skateboarding is a male sport or that girls can’t be good at it. All that as-strong-as-the-guys sporting excellence, however, does not preface the extreme femininity of the styling that Ms Chiuri has embraced. While some of the looks could pass off as ‘andro’ (even if only in the attitude of the models), most are a reprise of her brand of cool-girl ethos and emptiness, including the oddly omnipresent tie, neckwear that guys are fast abandoning, even among those working in banks. Now, more incongruous on the built-for-the-show skatepark.

It is often said that the Fall—aka pre-fall—or any ‘pre’ collection is a more accessible take on the main RTW. Dior’s vision is not spectacularly differentiated; it is the Dior that has become the Dior of Maria Grazia Chiuri: those unstoppable sheer skirts, the white-shirt-as-base-garment, workwear-as-sportwear, as well as corny sports clothes, bicycle shorts under feminine skirts, negligee over shirts and such, belted dresses of various lengths, and high boots with everything. And if the schoolgirl has a prom to attend or a fashion show at its school compound to grace, there are always the sexy evening dresses. When the young need to impress their peers, sometimes, as Gen-Zers have repeatedly shown, not that much effort is needed.

Screen grab (top) and photos: Dior

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