So that you’ll know she’s pretty wrapped up in herself?
By Mao Shan Wang
Kim Kardashian has so many firsts that I stopped counting. Her debut as host of Saturday Night Life this past weekend is certainly one. But watch I did, not count. As her performance went rather smoothly and on-script, it didn’t have the same impact as the sex tapes (2007) or the Vogue cover (2014), or the time she broke the Internet (also 2014, a vintage year). I think it has to do with the jelak factor. Even when she is totally shrouded in black for an event that one attends to be seen: the Met Gala. Can Ms Kardashian, 41, surprise anymore? Sure, she is a savvy businesswoman and, to her fans, a style icon, but can there be more to her that would cause our jaw to drop? In that confidently handled SNL monologue, she already ruled out the possibility of being an American president. However hard I tried, I could not think of anything else I want to see her do except not to see her. Or, to see less of her.
When she walked down the stairs of the set of SNL, I thought it was a stagehand gone rogue, beating her to it by appearing as Miffy with a remade body in the shape of Kanye West’s still-legal-wife. But it was not so. As she moved towards the camera, one question immediately hit me. Why would anyone who would not hesitate to share naked selfies of herself on social media now want to look like a upholstered love seat, removed from a love hotel? And in lurid pink! I am serious. Or, after the Met Gala, should I say re-upholstered? Ms K loves nudity, but now she preferred covering every part of her body—more completely than a sofa. Yes, even her fingers and her toes. Why the strange modesty? Is this a divorce-in-the-process look? The fIngers covered so that no one can see that she is no longer trapped by a wedding ring?
The pink velvet(?) catsuit is designed by Demna Gvasalia of Balenciaga. We sort of had a preview of Ms K’s total-onesie in the Paris Fashion Week animated short of the Simpsons walking a Balenciaga show. She was seated in the front row, looking vacuum-sealed. Her face for SNL, however, was not covered. But as with the black outfit—also by Balenciaga—that she wore for the Met Gala, there was no mistaking who the silhouette belonged to. A body with such a defined and smooth shape had to be enhanced by some shape wear. It is, of course, expected that she’d wear one to promote her own Skims line (initially called Kimono!), however successful it already is. The Balenciaga second skin needed the Skims for sure. So why let Balenciaga have all the publicity? Now, that to me is a symbiotic relationship. And what better place to show it than on YouTube-bound television, on Saturday night?
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