Tokyo Olympics: That Gown

There was only one couture moment at the Olympics Opening Ceremony. And it belonged to Tomo Koizumi

This was not the Superbowl half-time show. In fact, the Olympics opening ceremony has never had the equivalent of Madonna performing, at the 2012 Superbowl, on a Roman Empire-themed stage in custom Givenchy. But it came close. When singer/songwriter/producer Misia appeared on the bare stage to sing the Japanese national anthem kimigayo (君が代) during a predictably low-key opening ceremony, fashion folks all around the world could see the fashion moment—specifically couture moment. Ms Misia was not outfitted by a French house, but by compatriot designer and relative newcomer Tomo Koizumi. Even without sets or other dramatically-dressed guest stars, the sombre performance had the visual aplomb of what performers wear on Japan’s annual NHK kohaku uta gassen (紅白歌合戦 or the Red and White Song Battle) in which the costume is as crucial as the singing when deciding which team (red or white) wins.

Mr Koizumi is known for his dexterity with organza and the resultant fluffy effects when assembled. This time he created a white gown for Misia, who does not shy away from more advanced aesthetics, with recycled organza that was then spray-painted with different candy colours to yield a striking ombré effect. The silhouette is, conversely, rather conservative, possibly to better suit a different, less-celebratory Olympiad. It was not clear how the singer got onto the stage with that massive bottom half, but the skirt truly stood out—for some of us, with the same allure as a carefully syrup-drenched ice kacang! Although Misia’s performance was respectfully reposed, the visual sum was beautiful counterpoint to the almost jokey costumes that the other performers wore, including the greeters and placard-carrying crew in anime-inspired clothes that could have come from a draft storyboard of the opening ceremony. Mr Koizumi, fresh from the well-received collaboration with Sacai, has put Japanese fashion in good stead before a pandemic-weary world.

Screen grab: Mediacorp/YouTube

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