Prada’s Cleo shoulder bag, brought back from the ’90s, deserves to be revisited
By Mao Shan Wang
Walking past a Prada window recently, a friend pointed to a bag held by the mannequin. She simply said, “it’s so you”, and she wasn’t wrong. In the window was a simple shoulder bag. Its simplicity makes it even more outstanding. No monogram, no busy embroidery, no clunky clasp. Just an enamel inverted triangle. This, to me, is classic Prada. It is the Cleo bag and it reminded me of the lady-like elegance Miuccia Prada is known for. Talking about it now seems so out of touch with the times. This elegance, for many women, is no longer relevant. But there, in the Prada window (and later on the arms of Freja Beha in the brand’s autumn/winter 2020 campaign, shot by David Sims), the bag spoke to me—softly, but definitely.
I like classic bags. Black, and in leather. Plain. No quilting. No embellishments. Just good sturdy leather, with a soft sheen that suggests a luxury that whispers. And so understated that I can’t call it “arm candy”. This Cleo, the first bag from the Miuccia Prada and Raf Simons partnership, is all of these and more. I am especially drawn to its shape: a measured meeting of two trapezoids, with the rear panel longer/larger than the front. Sure, this bag can’t stand, but I like laying it on it’s back, as bags were placed in the past. I like the curved bottom corners too—reminds me of the iPhone. And because this bag is not designed to bulge, I’d be sure not to carry too many things in it, keeping it suitably light. It’s not too big either, with about the surface area of an A4 paper—perfect, when it’s reclining, for my lap. Yes, I’m dreaming. In these difficult times, we can all do more of that.
Prada Cleo shoulder bag, SGD2,900, is available in Prada stores and online. Photo: Zhao Xiangji