Can the little red dot stand shoulder to shoulder with the little black dress? A native islander and friends look at fashion (and such) in Singapore, and, occasionally, among her neighbours, and a little further afield
…but still appealing. Beyond the Vines introduces cotton canvas sneakers
Beyond the Vines has done good things with the humble cotton canvas. Their Carryall 01 in this fabric, for example, is an east-west tote that deserves much more attention than it really gets. It’s simple and smart, and those are the qualities that the brand has extended to their debut line of footwear, Type 01 (never mind that Nike, too, has a ‘Type’), also made with similar cotton canvas. In view of the unceasing love of bombastically-designed footwear, these lace-ups may look a tad too low-key, even juvenile, but their classic construction would stand them in good stead, in the face of constantly shifting trends.
Made of a 12-oz plain-weave canvas, also known as cotton duck, these sneakers are available only in one style, but it is the colour-blocked pair that spoke to us. Sure, they are nothing like the more daring chromatic schemes of Moonstar X Fennica kicks (available at Beams, Japan). Or the whimsical Comme des Garçons Play X Converse All-Stars, with the now-recognisable smiley-hearts, or the ‘Converse Addict’, which is N.Hoolywood reimagining the Chuck Taylor with archival fabrics of Undercover. Or, for those with edgier taste, the more advanced silhouette of the OAMC ‘Inflate’, with the exaggerated rubber corridor. Nope, Type 01 is not cast against type. They are, without doubt, classic plimsolls, but the subtle colour blocking does set them apart. And with the nicely rounded, slightly pointed toe box, perhaps the ideal shoes to strut into the New Year.
Beyond the Vines Type 01 canvas sneakers, SGD139, are available for men and women, in stores and online. Photo: Chin Boh Kay
Japan’s Onitsuka Tiger can’t wait for the Lunar New Year to arrive
You would expect that, with 2022 being the Year of the Tiger (from 1 February, of course), many brands will be releasing tiger-themed products. And you’d expect rightly. One of the earliest to announce their adoption of the tiger for a capsule collection is Japan’s Onitsuka Tiger. But that is not surprising. In five days’ time, it’d be what the brand calls the “Year of the Onistsuka Tiger”. As it coincides with the Chinese zodiac tiger, this occasion comes only once every 12 years. A symbol of the brand, the tiger—confident, brave, and thrill-seeking—would be seen not only on shoes, but in a limited range of fashion items for those born in the year of the tiger or those who consider the panthera tigris its spirit animal. These include tees and hoodies, socks, and bags.
But the most eye-catching and desirable would likely be the Serrano sneaker with the tiger-stripe upper. At first glance, the interpretation looks a tad too literal to us, even for Chinese New Year! But we are not, admittedly, big fans of animal prints. However they are used, they frequently would result in a form that borders on the camp. And to us, the Serrano of the Year of the Onitsuka Tiger is no exception. In fact, the more we look at it, the more it reminded us of another shoe: the yellow and black Mexico 66. Yes, the pair worn by Uma Thurman in Kill Bill, a movie with such deliciously intense artifice that even the gory revenge and growling violence cannot dial the camp down.
It is not yet known when the Year of the Onitsuka Tiger capsule would be launched. Watch this space for updates.Product photo: Onitsuka Tiger. Photo Illustration: Just So
…is a monster truck of a shoe. Let the ugliness go on
Balenciaga, it seems, is bent on sticking to ugly and freakish sneakers. Their soon-to-be-released style, known as the Defender, presumably tries to reprise the Triple-S and Track’s ridiculous massiveness and their busy overlays (also seen in the Tyrex), and, in doing so, also duplicate their just-as-large success. First seen during the brand’s red-carpet-as-runway spring/summer 2022 presentation in October, the Defender appears to be the hunkiest of Balenciaga’s footwear releases, in line with the still large silhouette of their apparel. There is no reversing the course for Balenciaga: the bigger the better. Only now for the new shoe, avuncular is cooler than dad-like.
But is the overall shape of the Defender really new? When we first saw the profile images of the shoe, we thought of MBT immediately! Yes, the Swiss(!) “physiological footwear” brand known for their chunky shoes and curved soles. According to the company’s sales literature, their shoes and the unique soles—such as those seen in the brand’s Kibo GTX—offer “your body benefits from (the) extensive MBT technology” which “ensures a complete rolling movement (that) improves your balance and posture.” Such curve-soled footwear are also popular known as “rocker bottom shoes”. It isn’t known if the Balenciaga Defender offers any physiological benefit, but they will likely provide psychological advantage to those for whom being ostentatiously shod is comfort to their very being.
Balenciaga Defender is expected to launch next year. Price TBC. Photo: Balenciaga
If putting one’s feet on a table during meal times is rude, is placing one’s shoes alongside food less so?
This image appeared on our Instagram page, and it shocked us. It really did. That it came from Club 21 was even more disturbing. We thought it shameful, so inconsistent with what many of us were brought up to believe is acceptable. The oldest multi-label store here left standing has, a few hours ago, shared this on their official IG account, not in some remote corner of the Internet. Originally posted by Two Men Bagel House last week, it shows unambiguously a pair of plated (!) Comme des Garçons X Converse sneakers, placed next to two bowls of barely finished dry prawn noodles (虾面). It is possible that the shoes are unworn (and presumably clean), but is it still perfectly alright for them to be on a table that has, by practice and custom, no place for footwear? This is likely photographed in a hawker centre (or foodcourt), but just because it’s not in a setting that equals that of a restaurant does not mean liberties can be taken without thinking. To make it worse, Club 21 wrote in the comment: “simply delicious”! Have we really become so culturally ignorant and insensitive?
Popular culture, TikTok buffoonery, and the general do-and-say-as-you-please that social media affords may allow marketers to imagine that they have the green light to ignore table manners, but that does not mean marketing with a nod to common etiquette is no longer important. Or, worth considering in the quest for eye-catching photos or, worse, talking points. We risk sounding prudish and custom-bound, but in a time when brands and politicians are knocking, for example, the traditional use of chopsticks, should there be more perplexing ignorance regarding table-top practices? It is easy to dismiss the Club 21 post as the work of benighted Millennials (or Gen-Zers?), but that does not allow the image to be more acceptable. We could not unsee what we saw. That this did not come from some ignorant Western brand makes Club 21’s faux pas (and that of the two men they sponsored) all the more difficult to understand and accept. We are unaware of anywhere in Asia where shoes of any sort on a table used for meals, whether in one’s home or not, is decent or tolerable. Half of smiley-hearts do not take away the fact that the very act is crude and—ask any parent—rude.
Regular readers of SOTD would have noticed that we’ve been rather partial to retro-looking sneakers that do not appear to be sitting on a mountain of cushioning technology. Or, worse, contraptions that pass of as heels (in fact, enough of fancy rears or mid-soles that gape!). Sneaker designs have had so much “ugly” piled on them that these days we’re looking at ‘classic’ as a palate cleanser. One of the brands that do this classic we speak of really well is the often sidelined Reebok. And the most alluring we have seen this past month is the leather version of the unisex Legacy, which Reebok enthusiastically calls “rad ’80s running style reimagined”. Yes, not looking at the ’90s, as fashion seems to be this season, is a good thing.
And reimagine, Reebok sure did. The Legacy seems to be lifted from the past (even as far back as the ’70s), yet it is has a spirit about it that is contemporary. Perhaps it is the colour combo of this particular pair: four tones of what might be called earth shades, plus that grassy green that Reebok intriguingly—and invitingly—names midnight pine. It is a colour that is dark enough (but not black) to give the shoe visual heft and provides an effective base (nylon) on which the overlays (suede) criss cross beautifully. Even with the many pieces that form the upper, the Legacy is light and looks sleek yet modest, even reserved. Without doubt, the humbler looking, the better.
Reebok Classic Leather Legacy in stucco/midnight pine/sepia, SGD129, is available at Reebok, Orchard Central. Photo: Chin Boh Kay
Nike’s latest collaboration with crystal maker Swarovski is an Air Force 1 with strange surface protrusions
By Shu Xie
Among Nike’s many reimagined sneakers, the Air Force 1 seems, to me, to be receiving the most collaborative makeovers. And here is another AF1 iteration: with the Austrian producer of crystal glass Swarovski. This collab, the third (if I remember correctly) between the two brands, is not quite what I would expect from a purveyor of bling. Unlike the Dunk from last year, which was completely covered with crystals, or the Air Max 97 from this past March, which was not entirely smothered (and this time with crystals so tiny, they could have been dust), sneak-peeks of the AFI show that it comes with something entirely different. As I see it, the shoes have a second skin. And it is an outer that really obscures the recognisable silhouette of the Nike classic. Looking like something that could have been 3-D printed, this membrane immediately makes me forget that the AF1 is the first among Nike’s sneakers from the ’80s to incorporate the brand’s Air cushioning technology.
But that is not really what I find most intriguing. It is what’s on the overlay. The amoeba-shaped piece with fancy cut-outs is dotted with silver ball-studs that look pressed into tiny bulbs on the surface of this second skin. These are not Valentino’s Rockstuds or those spikes on Christian Louboutin kicks. Frankly, they look like pimples to me. Like blackheads! Still there is something oddly appealing about this AF1. I think I am drawn to the fact that the extra layer can be taken apart. Yes, by removing the screws on the mid-sole that hold the additional skin down. They are flat-top screws and each pair of the sneakers come with a screwdriver, should you need to do some handyman’s work. These days, the Nike basketball shoes for women do not only come with trinkets to feminise the kicks (the Blazer Mid LX, for example), they are now dressed with a flashy, removable cloak. Shoelaces, even fancy ones, are really not enough.
Update (20 November 2021, 18:00): The Nike X Swarovski Air Force 1 will be available on Nike.com on 2 December, from 10am
No official release date of this collab is announced. Watch this space for more information. Product photo: Nike. Photo illustration: Just So
Our island’s earliest indie sneaker store Leftfoot has always been a trail blazer in terms of product offering and shopper experience. Their new store at Mandarin Gallery sees the retailer in fine facile form
By Ray Zhang
Fond memories accompany me whenever I visit the Leftfoot store. I still remember their first in Far East Plaza in the mid-2000 (yes, Far East Plaza had a lot more going for it than their sad present (but Gen-Zers won’t remember). Leftfoot exposed me to the world of limited-edition kicks, as well as those in colours not offered in the regular releases available elsewhere here, before I visited Tokyo’s Atmos and Mita Sneakers for the first time. The Far East Plaza store closed, as were other cool stores such as the buzzy bag shop Trever, led by former Bodynits designer Gary Goh, and multi-label Ambush and Surrender (the first stockist of Supreme) set up by Earn Chen (also, later, Cherry Discotheque And Potato Head Folk), invariably dubbed “the poster boy” of the SG streetwear scene. In fact, if you go further back to, say 1982, there was even designer fashion—Thomas Wee’s first boutique! Yes, Far East Plaza was that happening even if, looking at it now, you would never have guessed.
Leftfoot was founded in 2003 by Anthony Ho and Kevin Lo, considered pioneers of the streetwear scene back then (Mr Ho started in the retail of vintage clothes). After their Far East Plaza venture closed around 2008, to the dismay of fans, they reopened Leftfoot in Cineleisure Orchard, then a youth-oriented shopping destination that seemed poised to take over from the old Heeren, but never quite did (now, in fact, it’s also, like Far East Plaza, a shadow of its former self). A larger store, intriguingly called Leftfoot Entrepôt, followed at The Cathay; it was a space put together with an edge not seen in sneaker retail then, designed as if for hanging out, with a wood-wall store front that practically obscured the going-ons inside. When both the Cineleisure Orchard and The Cathay stores closed in the middle of this year, some of us thought that what we considered an SG institution had come to an end, until they posted on Facebook that a “new location will be announced soon”. Sure, they continued to sell Via Facebook and Instagram (even offering free delivery for purchase above S$60) in the mean time, but, for me, seeing the kicks personally and being able to try them on makes a difference—massive difference. Moreover, I missed the indie vibe of their physical stores, which often made me feel like I was shopping overseas. Leftfoot is not Limited Edt.
That distinction is again made clear with the new Leftfoot store, opened on 16 July in the hard-to-defined (maybe that’s good) Mandarin Gallery. Since its reincarnation in Cineleisure Orchard, Leftfoot always has an edge about it. The store turns footwear retailing quite on its head, and in doing so, draws the attention of sneakerheads. (Sure, Limited Edt also sells, as its name suggest, some merch considered rare and available in limited numbers, but, to me, their stores have no personality and the friendliness level—even in not-quite-atas Queensway Shopping Centre—leaves little to be desired.) Leftfoot never has a window, at least not in the traditional sense of store windows. At Cineleisure Orchard, I remember, the first shelving unit of a single row of them on the left of the compact space, was situated right at the store front. Shoppers were picking up their fave kicks and trying them on the corridor of the mall! Conversely, at The Cathay, there was only an entranceway and shelves of shoes to the right. At both stores, no particular brand was given upfront prominence. Leftfoot seemed to draw mostly those in the know and those who know their kicks.
Their new space is, in contrast, a lot more orderly than I remember them to be. Not that Leftfoot was chapalang (messy) to start with, but at the Mandarin Gallery shop, the striking use of shelving units akin to cabinets in a compactor storage and archival system is eye-catching, and allows shoppers to zero in on the kicks they want quickly. The pale office-grey, too, heightened the pleasing orderliness. Additionally, I thought I sensed a seriousness about what they are doing, as if they are now really curating what they sell—the one-side sneakers on those metal shelves like prototypes ready for mass and limited production. The store has nothing blocking its full-glass front, not even a name. On the left, what looked like vintage traffic barriers were the only display, while on the right, a table on a pair of similar-looking trestles stood. I was in the store on a Thursday afternoon and it was, to my surprise, busy. I already had in mind what I wanted, but no sales staff could, at first, be spotted. When she finally appeared, she quickly came to my assistance, found the sneakers in my size for me to try (I sat on one of three small wooden stools dotted in a row in the centre of the store), and then offered to hold it for me at the payment counter while I made up my mind, and continued browsing. And then I spotted a watchman near the entrance, his vigilant gaze deterring would-be shoplifters, but when I left, he said “thank you” with a nod, amicably.
The Leftfoot Family and Friends Pop-Up Store
The Left Foot pop-up store at Mandarin Gallery
Like the old Leftfoot in Cineleisure Orchard, the store at Mandarin Gallery is accompanied by a sibling sale outlet on the same floor (interestingly also on level two). The staff at the main shop happily referred me to the Leftfoot Family and Friends Pop-Up Store as it’s known, “just behind the escalator”. This sale shop contrasts dramatically and charmingly to Leftfoot itself. While one is all sleek and minimalist and bright, the other is groovy with bohemian vibe, made even more palpable with the discernible smell of incense, wafting in a romantically-lit shoe-box space. Once inside, I thought I was transported to a store lost somewhere in the winding lanes of Harajuku, Tokyo. Nothing about the modestly-appointed pop-up screamed sale. Shoes and bags and other items—even mugs—were mixed with no discernible order, but neatly, as if in a sample room. The bazaar energy intensified the store’s browsability. This space, as I understand, is also an event area of sort, having played host previously to Obey and The Lucky Shop (aka 福乐店 or fu le dian). I would have loved to linger, but it was getting a tad crowded, and the shoppers, probably excited, were speaking too loudly.
It seems that Leftfoot has found itself in the right ’hood. Their immediate neighbours are Carhartt WIP (across) and the multi-label store Manifesto (next door). While not exactly a streetwear haven, Mandarin Gallery—with ‘big’ names fronting the four-story mall—seems to be attracting retailers that offer a street-centric point of view, such as the Euro-cool Manifesto, the goth shop L’amoire, and the alt-bent menswear store Supplies & Company. Some observes think Mandarin Gallery should better define their positioning, but I think it makes a better shopping experience if the mall is less predictable, less like its neighbours, less opposed to unknown/unfamiliar names. And more willing to go with an adventurous retail mix, which now, for a discernible on-going and distant good, includes the 18-year-old Leftfoot.
Leftfoot Family and Friends Pop-up Store will open till the end of year. Photos: Galerie Gombak
Sean Wotherspoon is not the first to plonk a mini-bag on a pair of sneakers, and he won’t be the last
Sean Wotherspoon X Disney X adidas Originals Superturf Adventure SW
Who’d guess that sneakers will one day get their companion bags? Or, as sneakerhead-turn-retailer-turn-designer Sean Wotherspoon is wont to say, “No waaaay, duuude”. Our kicks these days must serve more than what they were originally designed for: sports. As fashion items, brands and collaborators need to do more to them. They can be accessorised! But, it is not good enough to hang useless danglies on them a la Off-White. There must be more that can be attached to a pair of sneakers, but not something pseudo-useful such as Mason Margiela’s iPhone holder strapped on to boots. Sean Wotherspoon, co-founder of Round Two, “the streetwear empire”, as Vice calls it, has hooked up with Disney and adidas Originals (collabs these days are a triumvirate) to conceive the Superturf Adventure, which as the name suggests is for multiple terrains. This is, according to social media blurbs, a sustainable shoes that is “vegan”. But perhaps what is most attention-seeking is the pouch that, like a kiltie, obscures the shoelace.
It is still hard to determine the usefulness of a little bag placed down there. What does one store inside that does not need to be within reach? Isn’t a similar pouch more practical if hung to a belt loop with, say, the aid of a carabiner? Bending down to one’s feet to tie undone shoelaces is an action that attracts no attention. But, reaching out southwards to retrieve something stored away in a pouch above the foot is not only odd, it’s a bodily move few would not call elegant. Assassins might conceal a dagger in the ankle of boots, but fashion types hardly have anything to put away so far down the leg—not even unattractive Trace Together tokens! SOTD contributor Shu Xie told us that the pouch is for keeping money on days when one does not wish to carry a wallet. Mothers often tell us not to carry our wallets conspicuously as doing so is tempting to would-be thieves. Perhaps to the three brands, money on feet—an area of the body usually considered unclean, and barely acceptable to the average nose—is less tantalising or rousing to the discriminating stealer?
Mr Wotherspoon could, in fact, be considered late to the bag-on-kicks club. In March, New Balance launched the ‘Utility’ version of the X-Racer, an already handsome shoe, now equipped with two flap-top stow-away pouches—in full-grain leather (including the upper)—on each side of each shoe, like a saddle, which means you would be walking about with a total of four pouches on your feet! The mini-bag is larger on the lateral side than on the medial side, which also comes with a zipper pocket on the upper. Plenty of storage, as it appeared, but, again, what can we real carry in them, all? The E-Race Utility came in three colourways, but the white is especially striking for the Hender Scheme-ish tan pouches and the similarly hued trail shoes-inspired outsole.
New Balance X-Racer Utility
Nike Jordan LS Slide
Prada Wheel Re-Nylon high-top
Perhaps it was Nike that foretold the future when, in May 2018, they released the Benassi JDI ‘Fanny Pack’, a slide, with an actual bum bag in place of the wide strap. Back then, we thought the fanny pack on bare feet to be an idea better on paper than on the metatarsus. After all, the waist bag was not going to include the foot bag as member of the family. Looks like we could be wrong now that fully-functional pouches are made specifically for footwear. Before the Superturf Adventure, there was Nike’s Jordan LS Slide. This too came with a removable pouch, or what the Swoosh distinguishes as a “stash pocket“ (that’s not the only detachable part. The slide can be given a heel strap so that it becomes a sandal!). Compared to Mr Wotherspoon’s fancier version (which includes elasticised slots and a ring) for Adidas, this pouch is rather basic, something national servicemen might recognise as a rifle magazine holder.
In fact, one of the earliest to incorporate little bags to their footwear is Prada. The “catwalk” Monolith mini bag lug dole combat boot, for example, is not only eye-catching, it certain draws your attention to the logo-ed oblong bag strapped to the side of the ankles. The idea seems to have come from the brand’s bags, such as the Re-Nylon shoulder bag, which comes with a similar pouch that can be attached to the shoulder strap. Their latest high-tops under the Re-Nylon series similarly spot the “mini bag”, which itself looks like something you can buy separately from their store’s accessory counter. The success of these unusually-placed pouches has even prompted Prada to include them on unlikely items such as gloves! Unsurprisingly, serial imitator Steve Madden has their version with the pouch-strapped Tanker-P boots too. Expect other brands to follow in no time.
Sean Wotherspoon X Disney X adidas Originals Superturf Adventure SW’s availability here is not known yet. Nike Jordan LS Slide, S$129, is available at nike.com. Prada Wheel Re-Nylon high-top sneakers, $1,980, is available at Prada stores. Product photos: respective brands
The retro-leaning UXC72BB2 is the coolest silhouettes from NB yet
New Balance has been doing rather incredible things to their sneakers. Like so many athletic brands, they look back to see what they could bring back to the present, and with panache. But rather than hybridising or deconstructing, or, as the trend seems to be, creating a new bombastic heel, New Balance enhances the selected kicks’ old-school vibes, with a strong fashion hand. This is so true of the XC-72, a relook at at least two other silhouettes, the 237 and the 327 (our current favourite). The running-shoe-of-yore vibe is unmistakable, and with the visible outsole threads, reminds us of the very appealing and able Loewe Flow Runner. The New Balance XC-72 is, of course, more affordable, but no less stylish. The brand even boldly describe is as “aggressively experimental”.
Part of its appeal to us as fashion-forward kicks is the colour story, which New Balance simply called “Bone/Multi”—a neutral base on which colour-blocking is judiciously applied. Some sneakerheads call it “retro-futuristic”. We would not go that far, preferring to see the chromatic partnership as part Marni, part Junya Watanabe. The suede and nylon upper is primarily split in the middle to allow different colours to take up space on both sides. What’s additionally appealing is that the outsole too is halved: bi-coloured lengthwise, with a thick black line that runs through the middle. In the front, near the toe box, you can see the threads. At the rear, the heel and the heel clip are split, allowing the mid-sole the jut out (those who wear US size 11 and above, do watch out when you are alighting an MRT train!).
The XC-72 first launched in August as a collaboration with the French label Casablanca, one of the winners of last year’s LVMH Prize. We weren’t too crazy about the candy-wrapper colours at that time, and did not pay much attention to the sneakers. Then came this uncollaborated release. The dusty colours, geometrically applied, truly give the shoes new life, and just in time. We are not putting ourselves through another raffle (Nike X Sacai X Clot!!!) and we were starting to get bored with those kicks that still ride on the faded glory of ugly.
New Balance XC-72 “Bone/Multi”, SGD189.00, is available at DSMS and the New Balance e-store. Product photos: New Balance. Illustration: Just So
Is it reasonable to spend an hour hitting keys on your smartphone repeatedly to score a pair of shoes and not be rewarded?
By Ray Zhang
“OOPS…” went the full-cap message. Is that the best Nike can do? I sat at my desk five minutes to ten, ready to hit my virtual keyboard on my smartphone so as to enter the necessary information to buy myself a pair of LDWaffle x Sacai x Fragment kicks, launched today on Nike’s SNKR site at 10am. At the precise moment, I selected my size, and hit “Add To Bag”. I was then linked to a page where all my purchase details were listed. I filled in my credit card info, and hit purchase. As if I was played by a ghost (which wouldn’t surprise me since this is the seventh lunar month!), I was brought back to the previous page. Not yet discouraged, I repeated this procedure another ten times at least, and finally I got to the page (above) that went “OOPS”! I would spend the next hour going between the page that asked for my shoe size and the one that expressed surprise at its own blunder. In the mean time, my fingers and my mind were begging for mercy. Despite the exercise I give my thumbs daily, this was still too much stress to expect of them.
Is it reasonable to ask anyone to spend an hour on the same page, doing the same thing, hitting the same keys, looking at the same numbers, reading the same “OOPS” message only to come up naught each time, and be filled with deep disappointment at how unpleasant the entire procedure was? When I checked the page at around 1pm, the shoes were “sold out”. It’s inconceivable to me that a company as massive and wealthy as Nike would put their customers through what I went through. And I was not the only one. Another 12 of my friends who tried came away empty-handed and frustrated—and cursing. One of them said to me, “It is wicked that the biggest brand in the world, with all the resources at hand, would do this to their customers.” If indeed one of the basic tenets of good service is never to let your customer wait (let’s not even talk about letting them down), why did Nike put so many of us through the torment? And if we’re more likely to remember a bad customer experience than good, why would Nike not make purchasing their shoes online even slightly more pleasant?
This is not my first time in such a maddening situation. For as long as I have been using the SNKR site to score a pair of shoes—okay, mostly the Nike X Sacai collabs—I would want to scream my lungs out. I knew my chances here would be as slim as the OG Waffle sole, so I entered the Club 21 raffle last week to, well, double my chance. But someone later told me I would also be wasting my time as Club 21 would likely avail whatever stocks they have to their top-spenders, and I am not one of them. Undeterred, I submitted my details for the raffle. Up till ten last night, I did not hear from them. No word this morning either, not a simple “thank you” for participating. However, on Instagram Stories earlier (close to midnight, I believe), they posted a photo of the shoes and the message, “All winners for the Nike X Sacai X Fragment raffle have been contacted via email. Congratulations to all and thank you everyone for joining.” Should I feel better?
Is it possible that when there are more names to a collaboration, the end product would sell better? We might fear the too-many-cooks situation, but brands, especially those seriously trending, are not. In the case of Nike, Fragment Design, and Sacai, three in collaborative mode is the magic number. But how would the extra-name hype increase sales when these collaborative outputs would still be sold in ridiculously limited quantities and priced beyond the reach of the average sneaker lover? We don’t know. As sneaker collabs go, this two-easts-meet-one-west team-up is destined to make big what is already a major hit: the LDWaffle. This time, it is still unmistakably Sacai: double the Swoosh, heel counter, and tongue, and the more obvious the heel wedge, to better let fellow MRT commuters to step on it. But what makes this round of collaboration more desirable is the addition of the third name, spelled out noticeably on the heel wedge. After Fragment Designs, look out for Clot and Undercover, as we have been recently told, courtesy of Edison Chen’s teaser post on Instagram.
Sacai is, of course, the brand name on everyone’s lips these days. No sneaker designer Chitose Abe touches, it appears, does not turn to gold. At least with Nike, that has been the case, starting from the Nike Blazer Mid of 2019. Ms Abe’s former boss Junya Watanabe has, of course, been a long-time Nike collaborator, going back to his debut of the Nike Zoom Haven in 1999 (our favourite is the low-key Super Fly from 2001). At the launch of the Blazer Mid, not many sneakerheads thought Sacai could go as far as Junya Watanabe, but the former did. When the LDWaffle (hybrid of Waffle Daybreak and LDV) appeared in 2020, the sneaker space went berserk. About a year later, the staggering Vaporwaffle, with its gaping heel, sealed the deal and Sacai’s reputation as the collaborator that can produce extreme sneakers that sell was cemented.
That Fragment Design is in the triumvirate is not surprising. Hiroshi Fujiwara’s work with Nike goes back even further: to 2002 when the other threesome—Mr Fujiwara, Tinker Hatfield and Mark Parker (both from Nike) formed HTM (from the initials of their first names) and, later, HTM2, the project that would, hitherto, produce grail-level sneakers. Sneakerheads never get enough of his output, including those under the Air Jordan imprint. Nike’s global director of influencer marketing and collaborations, Fraser Cooke, once said to the media that Mr Fujiwara “has remained relevant for so long because he has good taste and a very acute sense of timing—he’s good at partnering with the right people at the right time.” And that he is a prolific collaborator helps too. The founder of Fragment Design’s other presently-trending collaboration is with Travis Scott, also in partnership with Nike—Air Jordan 1.
For this iteration of the LDWaffle involving Fragment Design, Mr Fujiwara picked a navy, later named Blackened Blue, as the shade of the mesh and suede upper. There’s something almost old-school about the kicks in this colour, a chromatic hush that Nike called “understated”. The heel wedge in white, acting like an underscore, comes with the branding of all three, with Nike’s known simply as ”the classic” (the double Swooches enough to take the place of a single four-letter name?). On the second (bottom) layer of the two tongues, Fragment Design’s logo of the double thunder bolt within a circle is immediately discernible. To fans, this is possibly the most important inclusion above all else. Read, even now, sold out!
Rating: 4.5 out of 5.
LDWaffle x Sacai x Fragment Blackened Blue, SGD249, will be available on the Nike e-store on 24 August 2021, 10am.Product photos: Nike
From the look of the box, you’d never guess, there’s only one shoeinside
By Shu Xie
The cheerful salesperson at the Lego store was very quick to tell me, even before I could complete my question, that there is only one shoe in the box with the flip-up lid, not a pair. Frankly, I didn’t know that. I have never bought a single shoe before, nor do I know that shoes are sold singly! The recognisable blue boxes—stacked on the floor, as you might find in a shoe shop—certainly look like the regular ones: there is room in each for two. As if to placate my disappointment, she added helpfully, “you can choose right or left side”. Choose? They come as right or left? “No, but you can fix it as a right shoe or left.” Such thoughtful option! But when I looked at the built-up sneaker, placed on top of a shoe box in the acrylic showcase, I couldn’t tell if it was the left or the right (there is apparently a separate bag with the right parts for you to get the side you want). Despite the “real shoelaces” that Lego proudly announced, it appeared as it was—unwearable.
The Lego Adidas Originals Superstar is the toy maker’s first sneaker that is built with their plastic bricks, and conceived for adults. Adidas and Lego have collaborated before. There were shoes and even clothing (for kids, if I remember correctly), but never has there been the toy footwear. Like most of their special-edition items, Lego’s take on the Superstar is for display only. It is massive for a toy shoe—at least men’s size 15, I thought! But since it’s 27-centimetres in length, they are really a very common US size 9 (UK 8 or Euro 42.5), which would sit nicely on top of a book case. It comes with all the logos and trademarks to make it look “authentic”. And, you can even customise it with whatever bricks you already have so that they do not need to look monochromatic. It also comes with a clear stand so that you can prop up the heel (as seen in the photo above). A small plaque with description is also issued, so that the less informed will not mistake it for a Stan Smith!
At S$149.90, the one-sided Lego Adidas Originals Superstar (with a total of 731 pieces) is actually more expensive than the wearable version. I didn’t think it would be, but it is. At the Foot Locker, the regular Superstar in the same colour combination can be bought for S$139. An enticing bargain? But, soon to be released is a very real iteration of the Lego-fied Superstar—in a synthetic upper, but with no buildable parts. The Adidas Superstar X Lego costs S$200, or S$100 a side. A replica of a replica! And a price to match, but still cheaper than its plastic cousin!
The Lego Adidas Originals Superstar, SGD149.90, is available at Lego stores. Photo: Chin Boh Kay/SOTD