Is It Time For Tom Ford To Retire?

Stuck in the disco age and unwilling to skimp on sequins, Tom Ford should consider withdrawing from his own fashion label until he comes up with something truly fresher

Last July, Bloomberg reported that Tom Ford appointed Goldman Sachs to “explore the potential” of selling his company. No reason for the exploration was shared by Mr Ford or CEO Domenico De Sole. But Bloomberg did note that the growth of top-tier luxury brands had been hampered for unsurprising reasons that include inflation, continued lockdowns in China, escalation of energy and logistic costs, as well as those in manufacturing. There was no mention of whether the fashion of Tom Ford is still desirable. Or, if there is demand outside his circle of celebrity friends. That question is even more pertinent after watching his spring/summer 2023 show, staged during NYFW. We sense that Mr Ford is unwilling to move forward amid the hurtling speed of change in our crazy world. He is happy to be caught in the past, in a groovier time that is soundtracked by Studio 54, lensed by Guy Bourdin.

That the former CFDA chairman would go down the disco route is a predictable track and tact that should not baffle us, but we are still, truth be told, disappointed. Dullness maxed out is dullness amplified. How many times do we want to be reminded of the glory days of the ’70s (and early ’80s)? Even the styling isn’t fresh. Gigi Hadid, with the fake blond frizzy hair and pregnant hoop earrings, in that hooker-savvy sequinned dress, is a bad parody of the campy past that Mr Ford adores. Although the soundtrack is a mashup of ’80s pop and latter-day rap, we had Dan Hartman’s Instant Reply in our head. Wasn’t Tom Ford singing, “got to have it… got me floating on a cloud, got me dancing all around”?

Mr Ford has redefined the sexy that is very much his aesthetical lexicon. Of late, it is regrettably meretricious. Perhaps it is in keeping with the prevalent mood in American fashion, which has significantly shifted from sportswear to something more suited for seduction or to express the confidence of an unapologetic sexual self. For the present Tom Ford season, scattered is the focus, from gaudy, sequinned, fringed Western shirts (even gaudier than what they might wear at the gay rodeo) with micro-running-shorts to bras that are just the perimeter of the already skimpy garment to sequins-all-over evening dresses that accentuate the derrière and expose the rump. Eckhaus Latta meets Dolce & Gabbana?

Perhaps there is real interest in the decade (and a little later) that, for some (rather than many), “taste forgot”. Or, the hope that Mr Ford would bring back the hits of his Gucci years. The satin shirt, worn unbuttoned to the navel, certainly did, even if less shiny. If shirts are not worn, underwear must be served. Here, even the guys get the lace in a boxer (Victor’s Secret?) that would make Calvin Klein’s look severely avuncular. Almost every garment shown appears to be for the pursuit of fun under lights that would make each piece glitter. It’s luster that lusts for attention just as the nipple-baring bras begs to be noticed. But these days, vain and shocking are hardly the traits that would make trying fashion striking. Even if he resists going any place without a disco beat, Tom Ford needs to dial down the tacky amid the showy.

Photos: Tom Ford

It Has To Come To This

No one is surprised that Kanye West has announced he’ll terminate his partnership with The Gap

The unceasing outbursts must amount to something. For Kanye West, anger and frustrations do not just blow over. The Wall Street Journal just reported that Mr West, newly bearded and recently seen at Vogue World, has informed The Gap that he is ending their relationship, which had lately turn quite sour. His lawyer shared that a letter was sent to the retailer with the request to end the deal. And what seemed to be that correspondence was shared on Mr West’s Instagram page. “Gap left him no choice but to terminate their agreement,” the BBC quoted him saying in response to the American brand’s “substantial noncompliance”. Mr West will go on to open his own Yeezy stores. Gap’s obligations in their agreement reportedly include not only producing and distributing the co-branded products, but also the opening of free-standing YZY Gap stores.

Perhaps the once-raved-about partnership between the man and the brand was not destined to take off as previously imagined. This was to be a 10-year deal, which was thought to bolster The Gap’s sagging fortunes. Mr West has quite a history of dissatisfaction with many of his collaborators, including Nike. These past weeks, he has publicly made his objections and outrage with his collaborators known—they include Adidas. It is not clear why Mr West has been unable to solve his problems with these partners in the boardroom or why he preferred to blast those who have displeased him via social media, a practice that is corporate aberration. If grievances in his personal life can be broadcast to the world, those of his professional activities may not require different channels of blaring. Or, restraint.

Announced in June 2020, Yeezy Gap was met with highly encouraging reception. The first item—a puffer—that launched a year later was sold out in hours, after it was made available online. Last month, when a collection was finally available (rather than the single-style drops of the past) in actual Gap stores, shoppers were dismayed by how the high-priced products were sold: in what were described as ”bins”. Was this dumping of the merchandise, in fact, foreboding of what would be ahead for the collaboration? But, would The Gap easily let Mr West walk away? Or, would they be relieved to let him go, enough of his bratty tricks? Should Adidas be worried? Will, gasp, the world suffer?

Illustration: Just So