Tiger Beat: Happy Family

The lanterns for this year’s Chinese New Year light-up in Chinatown is about the alpha male and his family. Endearing, even when it reminds us of some scary beasts in a ’70s theme park along Pasir Panjang Road

When the Chinese-style lanterns in the shape of tigers (虎) were lit this evening, a throng had gathered outside Chinatown Point to take photographs of them. In real life, tigers are the largest living cat species known. On the road divider between Eu Tong Sen Street and New Bridge Road, the tigers appeared to be live-sized. They struck an imposing figure. Most of the spectators across the intersection were pointing the camera on their smartphone at the subject; some were more seriously equipped—with DSLRs and tripods. The silent tigers were a clear draw, like those in a zoo. However, a woman, not snapping, was heard saying, “一点都不可爱 (yi dian dou bu ke ai, not cute at all).”

Unlike in Japan, we have never placed a premium on cuteness. We do not have or enjoy a culture of kawaii—where in the land of Pokémon, is itself a pop culture phenomenon. Through the years, the light-ups in Chinatown have banked mostly on a conventional Chinese aesthetic that borders on the run-of-the-mill. It has not been an interpretive depiction that conveys a sense of the adorable. Better be zhun (准, accurate) than cute. In their seriousness to be culturally on-the-dot (although not specifically appealing to any elite currency), the organisers of the Chinatown light-ups have frequently drawn criticism for their aesthetic faux pas, such as the manly and pregnant moon goddesses during the Mid-Autumn Festivals.

Before the LED lights did their controlled magic, the tigers looked— from a distance—grey, stony, and somewhat menacing, even when the adult beasts were standing on clouds and the brood frolicking with a gold coin and an ingot. In the light of an overcast day, the trigonal set-up was rather evocative of those hellish dioramas in Haw Par Villa (虎豹別墅, aka Tiger Balm Gardens) of the ’70s, then a major local attraction (without the influence of a pandemic) and now considered a cultural heritage. As dusk approached, the shadowy creatures looked the antithesis of an approaching festive season.

There are five tigers in the main display. We wondered if the quintet is to show the size of a family that is now encouraged in view of our shrinking population. Or, to match the number of people allowed in social interactions or to dine out. Could it also be to denote the five elements in Chinese philosophy: wood, fire, earth, metal, and water. Come 1 February, we will be welcoming the year of the water tiger (and so that you are not mistaken, blue ripples underscore the scenes of posing and prancing tigers along Eu Tong Sen Street and New Bridge Road). As soft as that sounds, the tiger of the Chinese Zodiac is a symbol of strength and confidence. The water tiger is not a tamed beast; it is believed to possess a self-esteem that is considered strong. Perhaps, that is why the organisers of the Chinatown light-up have avoided cute?

But soft is the pull elsewhere in Chinatown. Away from the light-up, inside the shopping streets, large quantities of bulaohu (布老虎 or stuffed cloth tiger) are available in many gift shops and those offering CNY decorations in staggering bulk. These made-in-China toys bear a cute countenance, compared to those now populating the main street outside People’s Park Complex. The bulaohu is a traditional folk handicraft that has been made and used in China since ancient times. Aesthetically, these seen in Chinatown may look different from those of the past, but its feline form is unmistakable, and is deliberately simplified to trot out its facial adorableness, and that grin!

The tiger, placed third in the Chinese Zodiac, was both worshipped and feared in ancient China. Known as bai shou zhi wang (百兽之王, king of beasts), it was also considered to be efficient in warding off the three domestic disasters of more rural times: fire, burglars, and evil spirits. But in the pandemic era of an urban world, the fierceness and courageousness of the tiger are somewhat played down. From tiger buns at Ikea to T-shirts emblazoned with “Gucci Tiger”, the king of beasts is not quite kingly, and is taking on a decidedly less ferocious role. Do they even roar anymore?

Photos: Chin Boh Kay

Spirited Loewe

The Spanish house’s second collab with Japan’s Studio Ghibli is another happy romance of craft and anime

Loewe’s bus-stop ad for the launch of their collab with Studio Ghibli

In Hayao Miyazaki’ 2001 animated feature, Spirited Away (千と千尋の神隠し), the spider-like spirit Kamaji (釜爺), also the boilerman at the ghostly bathhouse, answered the servant Lin (リン) when she wanted to know what was going on, “Something you wouldn’t recognize. It’s called love.“ Those who come face-to-face with Loewe’s latest collaborative merchandise would recognise the vivid illustrations on the clothes and accessories, and they would call it love, too. A collaboration that is born of “a mutual passion for craftsmanship”, according to Loewe, and is lovingly conceived and created. If Loewe’s first pairing with Studio Ghibli last year, featuring characters from My Neighbour Totoro, was “inspired“, their sophomore outing with possibly Japan’s most famous animation studio is total homage.

Spirited Away, as the title suggests is set in the world of spirits—many not particularly appealing, even if they aren’t really scary. Yet, Jonathan Anderson is able to find muses in the characters, such as the not-quite-likeable Yubaba (湯婆婆), proprietor of the strange Aburaya (油屋 or bathhouse) in which much of the action of the film is centred; Kaonashi (顔無し), the lonely spirit, also known as No-Face in the English version of the film; and, of course, the ten-year-old protagonist Ogino Chihiro (荻野 千尋). Images of these characters appear on garments, as well as accessories, trotting out Loewe’s particular skills in crafting cloth and leather. Likely to be the most popular would be the Susuwataris (すすワタリ) or soot spirits, also seen in My Neighbour Totoro and in that debut collaboration with the animation studio. Apart from the obvious appeal, Loewe also made them into little pouch bags, something celebrity mothers are likely to buy for their kids.

A window hinting at what lies beyond it

Some of our fave products from the Loewe X Spirited Away collab. Product photos: Loewe. Collage: Just So

Unlike in the home of Spirited Away the hotly-anticipated collab is not launched here in a purpose-designed pop-up that is imbued with the magical mood of the film. In Tokyo, it is staged (and we use the theatrical term deliberately) in “a traditional Japanese-style home” in Harajuku that sits on a back alley, just off the famed Takeshita Dori. The 10-day retail site truly allows one to be lost in the world of Spirited Away “from the minute you walk past the vermillion gate post”, our Tokyo source told us. These days, we call such experiences “immersive” and, at the Loewe pop-up, it was so to the point that visitors are offered a yokikana tea, co-created by Sanzaemon Kasuya (a 600-year-old manufacturer of koji, a type of mold used in food production) and the Daikanyama cafe PELLS. The cups come with sleeves featuring characters from the film. A free collectible!

Conversely, inside the flagship store at ION Orchard, Chinese New Year blossoms have been chosen in place of any tableau that might give fashionistas, who are also Spirited Away fans, a foretaste of Ghibli Park, scheduled to open in Nagakute City, near Nagoya, Japan later this year. Only a single window, with a red bridge to denote the one outside the bathhouse of the film, hints at the filmic reference of the merchandise on display. In fact, if you are able to just walk into the store (you need to book a time and even then, you’d have to join a queue outside the store), you would not be greeted by a semblance of the bathhouse that is core to the film, or any part of the alternate world that Chichoro stumbled into and tried hard to get out of. No, but a staff would direct you to those products you would have already decided to buy. Anything cute, as you read this, is likely sold out.

The two-decade-plus-old, hand-drawn Spirited Away is considered by most film critics to be the best animated film of all time. It won an Academy Award for Best Animated Feature in 2002. Most of us saw the version dubbed in English. The deftly-done translation did not in anyway Westernise the narrative for a non-Japanese audience. The Japanese-ness is not diminished, not even with the unspeaking No-Face. Nor, was there a weakening of the folklorish charisma. And that, to us, is the lure of the film. In that regard, Loewe, too, has not made the products on which the characters appear more—or even less—Spanish, or, worse, Disney-fied. The Puzzle bag with the Soot Spirits, for example, isn’t overrun by the puff-ball creatures—they are judiciously placed, retaining the house aesthetics, as well as a distinctly Japanese way with cuteness. Charmed.

Loewe X Spirited Away is available at Loewe, ION Orchard. Photos (except indicated): Zhao Xiangji