At the cruise show, Dior shows pieces that you could go to gym in. Will you?
Dior packed their 2022 cruise collection and sent it to Athens, Greece to be shown at the Panathenaic Stadium, an ancient site where the first modern-day Olympics took place, in 1896. This show isn’t, of course, the first fashion presentation to take place in a sports arena. Last October, Hedi Slimane showed his spring/summer 2021 collection in Monaco’s Stade Louis II, a track and field stadium that’s also the home of AS Monoca, the national football team. But the Panathenaic has a far more ancient history—it was first built in the late 5th century BC (it was rebuilt many times before), and the present stadium—refurbished in 1890s and opened in time for that first Olympics—that Dior picked for its show only hinted at what it was before. But the touristic monument’s ode to sports is commensurate with Maria Grazia Chiuri’s latest (feminist?) pursuit: “clothes as a way of giving freedom of movement”.
Although, ironically, only men participated in the sports of the precursor to the Olympics in 566 BC till the 3rd century AD, women too were involved. In fact, the Panathenaea, as it was known, was largely a festival that also involved religious worship (to honour the goddess Athena), cultural events (poetic and musical competitions), and the prize-award ceremony, all held in the stadium (originally the greek word stadion, a measure of length said to be roughly 600 feet, or 183 metres). According to the show communique, “the choice of this venue, creating a prodigious bridge between sport and culture, ancient heritage and contemporary youth, is highly symbolic for Maria Grazia Chiuri, notably through its connections to the body and the freedom of movement she cherishes, but also through the motifs that inform the collection and its sportswear spirit…” Operative word: “freedom”, the exemption from the old believe that sports clothes are kept apart from couture.
Sportswear, it should be noted, is not necessary sporting clothes, just as athleisure has very little to do with athletics. Ms Chiuri’s garments for fitness pursuits are really puttering with the idea of looking sporty and not for the specific engagement in rigorous activities of the athletic kind. These in a gym would have a look-at-me side effect that no serious gym goer would desire (they rather have trimness or musculature be appreciated). The print-heavy pieces would appeal to, say, tai-tais who like to amuse themselves and their friends with the believe that they’re fitness fanatics. Healthy is the new wealthy. This is, however, not Undercover’s Gyakusou line. The pieces are, at best, ‘activewear’ for running around, not for raising the heart rate or meeting the 10,000-step health quota. Or, what sports brands call “lifestyle” options. Luxe Lululemon? Ms Chiuri also appears to target her sportswear at hip-hop artistes, who often blur the line between sporting clothes and those worn for performing—looks that make a statement, fashion that serves as status symbol.
Ms Chiuri’s idea of modern is to pair sneakers with nearly everything, even red carpet-ready dresses. Despite the many pairs of trainers worn, there is something overly dressed-up about her sports ensembles (you’d need time to pull everything together), which may reflect the sartorial mood at the Panathenaea, maybe not. In ancient times, the Panathenaic Games comprised athletic and equestrian contests, and contestants required no footwear (at least in the beginning. Athletes who wore sandals—the daily footwear then—were seen as novel, even parochial). Perhaps the most delicious irony of Dior’s layered and gaudy looks at the Panathenaic stadium is that the men who participated in the sports here, back in those early, early years competed in the nude.
Screen shot (top) and photos: Dior