Is Chisote Abe in a couture state of mind?
It’s five months after the last autumn/winter presentations during menswear fashion week in Paris, and we’re still seeing the season’s collections being shown. It is clearer than ever that fashion weeks as we know (knew?) them don’t matter much anymore. Nor if showing in Paris, traditionally the most important city in which to unveil a collection, really matters, even when the city, as a fashion capital, is still important. In stores, such as our Club 21, pre-sale of the spring/summer collections have already begun. It is, therefore, hard to place Sacai’s latest show, unmistakably broadcast from Tokyo, in the scheme of things and the selling season. Surely, the clothes were available to buyers much earlier? Or is Sacai pursuing some form of see-now-buy-now model?
In fact, designer Chisote Abe’s Parisian haute couture debut is near. In July, she will be showing her debut collection for Jean Paul Gaultier as the latter’s first guest designer to interprete Mr Gaultier couture. This was supposed to take place last year, but as with so many partnerships and events in fashion due to the pandemic, it didn’t happen. But no designer is turning back on their pairing, and Ms Abe will show in Paris in the month after next. It is a much anticipated couture collection, just as Balenciaga’s return to couture under Demna Gvasalia is (also for July). Which makes us wonder if the Sacai autumn/winter season is a foretaste of what Ms Abe might produce for JPG? It is, after all, remarkably elegant, almost to the point of special-occasion dressing.
That the outdoor show suggested nightfall (in Tokyo) rather than the time-non-specific of a staging in a neutral interior space seemed to say that the clothes are indeed for when dressing up under dim lights or atmosphere that suggests glamour is possible again. And that the models emerged from a Sacai private helicopter heightened the specialness of the occasion. These outfits are not just for a date at the deli; these would not be out of place at the opera. In fact, some could easily fit and stand out on a red carpet. Ms Abe has always been in touch with the part in her that loves a pretty and dazzling and enchanting dress, but she had always tempered those ultra-femme styles with elements that were off-kilter and definitely military. Her approach is known as ‘hybridising’, or bringing different—often opposing—ideas together, not just seen in those two-in-ones, but also the many-in-ones. She has made this so much her aesthetical signature that in recent years, she seemed to be coasting. Even ardent fans are saying she has become somewhat predictable.
The latest looks, while identifiably Sacai, have a certain beguiling glamour about them, and seemed conceived for women than girls, for keeping than trending. The military-inspired outwear is not surprising, but what is delightful are those dresses with their strength in the way they flow and flatter (the body), not how strangely they distend or tent out. It is the overall sleekness that makes every ensemble eye-catching. Pity the models did not remove the coats to reveal the dresses underneath. Just as it was regrettable that the show was filmed on a set that mimicked Tokyo’s famed Shibuya Crossing, rather than the pedestrian intersection itself. But perhaps this is indication that Sacai is now able to play alongside the big league. The last time a fashion label was able to have their own-branded aircraft, it was Chanel.