Next Collab: Gucciaga?

Two brands, totally unrecognisable from the original, are said to be teaming up. Yikes!

The pairing of Gucci and Balenciaga as we imagine it. Illustration: Just So

Alessandro Michele is on a collaboration roll. According to WWD, he and Demna Gvasalia are rumoured to be bringing Gucci and Balenciaga together. Not unimaginable since both brands are luxury conglomerate Kering’s cash cows. They are destined to make more money together. Gucci will be showing its new collection Aria on Thursday and that’s when the said collab will be unveiled. Both designers have kept mum about their partnership.

A brand that was once a couture house now joins with another that was started as a leather goods shop: that’s an interesting alignment. Would this be fashion’s ultimate high-low pairing? The coupling of royalty and Hollywood (and a spill-all to follow)? Mr Michele has said that “seasonalities” are “worn-out ritual(s)”. Collaborations, apparently not. Will this show that Michele Alessandro is better at sussing out hot collabs than Kim Jones?

Stay tuned to find out.

The Met Looks At Its Front Yard

“American fashion” takes centrestage at this year’s Met Gala. Really

“Irony is over, oxymoron is next,” one marketing consultant said, when he heard the news. This year’s Met Gala and the attendant exhibition, to be held in September rather than the usual May (last year’s was cancelled), will be in salute of American fashion, according to Vogue. “Homegrown fashion”, as the organisers describe it, could possibly straighten the crumple post-Trump America is still wearing. This year’s event will be a two-parter (second to open in May 2022), and possibly larger than other previous ones. Could this be self-validation after a lame New York Fashion Week in February, amid a gloomy climate for American brands across all price points? Or is this a challenge to the believe that in the US, formulaic dressing and uniform-as-style can be replaced by fine examples of superlative design?

American fashion, two ends of the market and between, seems unable to capture our imagination for the past five years. Or even more. Storied names as Calvin Klein and mass appeal labels as Gap are fading in power, diminishing in influence, and declining in reach. More than ever America’s own needs an affirming boost. The mother telling her child, you are the best. In addition, the Met’s Costume Institute needs to WFA—work from America, now that borders are still not fully opened to facilitate any homage to designers of distant lands. Outside the US, its global standing, as a 13-nation Pew Research Center survey from last year illustrated, has “plummeted”—“majorities have an unfavorable opinion of the U.S. in nearly every country surveyed”. Now is the time to look homeward and champion America.

Who truly represents American fashion? Tom Ford? Alexander Wang? Gosh, Kanye West, the “fashion mogul”? And pal Virgil Abloh? Or flag bearers Ralph Lauren, Tommy Hilfiger, Michael Kors? Or, the retired Calvin Klein, Donna Karan, Todd Oldham, Izaac Mizrahi? Or, to be inclusive, Carolina Herrara, Vera Wang, Phillip Lim, the Olsen twins, Lazaro Hernandez (the other half of Proenza Schouler), Dapper Dan, Kerby Jean-Raymond, Telfar Clemens? Or, to salute the pop world, Rihanna, Beyoncé, Jennifer Lopez, Selena Gomez, Sean Combs, Pharrell Williams? Or, to acknowledge the immigrants, Oleg Cassini, Rudi Gernreich, Fernando Sánchez, Adrienne Vittadini, Ronaldus Shamask, Naeem Khan? Or, to include the dead, Claire McCardell, Lilly Pulitzer, Bonnie Cashin, Mary McFadden, Anne Klein, Halston, Zoran, James Galanos, Perry Ellis, Oscar de la Renta, L’Wren Scott? Or, to take note of the Americans abroad, Mainbocher, Vicky Tiel, Patrick Kelly, Yoon Ahn, Daniel Roseberry? Or, to mark the (now) less-known, Stephen Burrows, Geoffrey B Small, Reed Krakoff, Rhuigi Villaseñor? Or, to rave about the he-who-can-be-anyone, Marc Jacobs?

You get the picture.

Illustration: Just So