But is it apology or justification?
A few hours ago, a welcome admission to a “lapse in judgment” was posted on the IG page of musingmutley, aka Norman Tan, editor-in-chief of the soon-to-launch Vogue Singapore. SOTD understands from feedback that Mr Tan’s incautious sharing of photographs of Vogue SG staff at work without, it appears, observing social distancing has been “going the rounds”. It is not certain if Mr Tan had his ears to the subsequent ringing chatter, but the promptness of his response suggests he must have at least read Kien Lee’s Facebook post* and wanted to set the record straight.
However, some who have read the five-page message on his Instagram Stories thought that, while perspicuous, it does not sound like an apology. Titled “Social Distancing”, it explains what happened on the day Mr Tan and his staff were in their office: “It was such a joy to see the members of the team in person after months of only seeing them through a screen.” But he gave his word that they kept within what the authorities had set out. “We adopted and implemented the safeguards stipulated by the government,” he wrote reassuringly.
One writer with a local magazine, who is still working from home, told us, “but this wasn’t what we saw. What we did see in those photographs were a group of people gathering without the 1-metre distancing.” Another, who has also stuck to WFH, said, “as members of the media, we should know the importance and consequence of optics. What’s seen cannot be unseen.” Most of us understand that offices can re-open. However, telecommuting is recommended as the main mode of work. Many members of the media, as far as we are aware, are still editing, writing, and designing from home. Some said it’s unfair that there are magazine staff working full-strength in the office while most, if not all, are doing so at home. One editor we spoke to was emphatic, “If you can work from home, you should.”
This seems to suggest that he is apologetic for the reactions to his photographic posts, not his own actions
It has been noted that Mr Tan wrote in the third page, “I recognise this was a lapse in judgment and I apologise for the concern this might have caused.” This seems to suggest that he is apologetic for the reactions to his photographic posts, not his own actions. A digital editor, also WFH, did not mince words: “There is no apology, not for his flippant action. Seriously, are you so seized with ‘joy’ to see your staff again, so much so that you want to take photos of the moment and post them for the world to see?” Including one photograph captioned, “It’s Christmas in the IMV office!” The editor added, “with that exclamation mark of delight.”
One point of contention is the apparent gloating of the work team’s “All stocked up with @apple MacBooks, Apple Watches and iPhone 11 Pros”, products assumed to be the result of a “barter” with Apple (which may explain the necessity of tagging the brand in the photo), a not-uncommon practice of acquiring what’s needed in exchange for ad space or social media mentions. Industry veterans we spoke to concur that, given the present time, when jobs are lost and retail spending is considerably reduced, the photographic show-off errs on the side of questionable taste. A now-disappeared IG page Diet Bazaar—purported to be the media industry’s version of Influencer Glassdoor—wrote, “seeing them do this, when they could have chosen to be a little sensitive to what is happening right now does leave a sour taste in your mouth.”
Mr Tan, a prolific IG user, should understand what photographs captured for social media can tell or effect. And readers do hold Vogue to a higher, if not the highest, standard. We know we do. While it is clear that people now live their personal and professional lives digitally, the musingmutley posts are easily seen as imprudent. Some measure of restrain, therefore, would be considered empathetic, even when the pandemic is seemingly mitigated. One PR manager, who frequently deals with the press, was, conversely, impressed by Mr Tan’s position. “No direct apology is one thing, it’s very clever of him to turn this into a rallying call for the industry.” The publishing industry, like the fashion industry, is going through difficult times. While unthinking actions should be called out, there are other more exigent matters to consider too. The old saying, “let bygones be bygones”, is now particularly alluring. We look forward to The September Issue of Vogue SG.
*Presently removed (5 June, 11:30). And then it’s there again (15:55)! We stopped tracking (18:00).
Screen shots: musingmutley/Instagram Stories